rbib.xml

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<bibliography name="rd" xmlns="http://www.pbm.com/~lindahl/rbib" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.pbm.com/~lindahl/rbib rbib.xsd">

<item>
  <author>Aldrich, Kenneth Richard</author>
  <item_type type="dissertation" />
  <item_title>The Italian Influence on Dance in the Court of Elizabeth I</item_title>
  <dissertation>Master's Thesis (University of Oregon-1979)</dissertation>
  <publisher>Microform Publications, Univ. of Oregon</publisher>
  <year>1982</year>
  <annotations>
   <annotation>
    Abstract: This study examines the Italian influence on Elizabethan
    court dances. Following a review of related literature in chapter
    III, an introduction and general overview of English socio-political,
    religious and artistic life from the reign of Henry VIII through the
    coronation of Elizabeth I is presented in chapter IV. This includes
    evidence of Italians in Henry's court, his struggle with the Roman
    Catholic Church, and remarks on Elizabeth's education. Chapter V
    deals specifically with the Italian influence on dance in Elizabeth's
    court. As no sixteenth century English dance treatise is known, musical
    and dramatic sources are cited and discussed in order to discover
    which dances ranked among the most popular. Although evidence of
    Italian influence on dance was uncovered, the discovery of an Italian
    dance treatise, the name of an Italian dance master in England,
    or a manuscript containing Italian dances would provide proof positive.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Alessandri, Felippo de gli</author>
  <item_type type="book" />
  <item_title>Discorso Sopra Il Ballo</item_title>
  <place>Terni</place>
  <year>1620</year>
 </item>

 <item>
  <author>Apel, Willi</author>
  <item_type type="book" />
  <item_title>The Notation of Polyphonic Music 900-1600</item_title>
  <edition>
   <revision>Fifth edition</revision>
   <original>1942</original>
   <reprint />
  </edition>
  <place>Cambridge, MA</place>
  <publisher>The Medieval Academy of America</publisher>
  <year>1953</year>
  <annotations>
   <annotation author="Dennis Sherman">
    Invaluable reference for transcription of early music,
    including Spanish, French, and Italian lute tablatures.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Apel, Willi</author>
  <item_type type="book" />
  <item_title>Harvard Dictionary of Music</item_title>
  <edition>
   <revision>2nd, revised and enlarged edition</revision>
  </edition>
  <place>Cambridge, MA</place>
  <publisher>Harvard University Press</publisher>
  <year>1975</year>
 </item>

 <item>
  <author>Applegate, Joan S</author>
  <item_type type="article" />
  <item_title>English Cavalier Dance-Songs: Henry Lawes and Robert Herrick</item_title>
  <coll_title>Proceedings of the Sixth annual conference of the Society of Dance History Scholars</coll_title>
  <pages>71-83</pages>
  <place>Milwaukee</place>
  <publisher>Dance History Scholars</publisher>
  <year>1983</year>
 </item>

 <item>
  <author>Arbeau, Thoinot</author>
  <item_type type="article" />
  <item_title>Music For &quot;Jouyessance Vous Donneray&quot;</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <volume>
  </volume>
  <issue>12</issue>
  <year>1992</year>
  <pages>6-10</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A transcription of the music to Arbeau's basse dance.
    (Transcribed by the editor.)
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Arbeau, Thoinot</author>
  <item_type type="book" />
  <item_title>Orchesographie</item_title>
  <edition>
   <editor>Laure Fonta</editor>
   <revision>re-typeset reprint</revision>
   <original>1589</original>
  </edition>
  <place>Paris</place>
  <year>1888</year>
  <annotations>
   <annotation>
    See entry of original for comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Arbeau, Thoinot</author>
  <item_type type="book" />
  <item_title>Orchesographie, Methode Et Theorie En Forme De Discours Et
   Tablature Pour Apprendre a Danser, Battre Le Tambour</item_title>
  <edition>
   <reprint />
   <original>1596</original>
  </edition>
  <place>Geneve</place>
  <publisher>Minkoff</publisher>
  <year>1972</year>
  <extra>ISBN: 2-8266-0294-2</extra>
  <annotations>
   <annotation author="Matt Larsen">
    This manual, in the Evans
    translation edited by Sutton, is the best known original source within
    the SCA, because of its wide availability.  It contains a wide variety of
    dances, many fairly simple in description and therefore easy to
    reconstruct. As with most manuals of the time, the more complicated
    instructions are open to multiple interpretations, and are often very
    confusing. Attempts to reconstruct these dances are best done with
    reference to the original French, since there are many nuances lost in
    translation. This is a work worthy of being re-examined from time to time,
    as one will often rediscover some detail which had been forgotten. Persons
    interested in learning about reconstructions may want to start with this
    work, since it offers the opportunity to examine descriptions of dances
    which one already knows, and see how other people have reconstructed
    dances.
   </annotation>
   <annotation author="Dennis Sherman">
    Facsimile of the 1596 edition.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Arbeau, Thoinot</author>
  <item_type type="book" />
  <item_title>Orchesography</item_title>
  <additional_authors>Cyril W. Beaumont, trans.</additional_authors>
  <edition>
   <editor>Cyril W. Beaumont</editor>
   <original>1589</original>
  </edition>
  <place>New York</place>
  <publisher>Dance Horizons</publisher>
  <year>1925</year>
  <annotations>
   <annotation>
    See entry of original for comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Arbeau, Thoinot</author>
  <item_type type="book" />
  <item_title>Orchesography</item_title>
  <additional_authors>Cyril W. Beaumont, trans.</additional_authors>
  <edition>
   <editor>Cyril W. Beaumont</editor>
   <original>1589</original>
  </edition>
  <place>New York</place>
  <publisher>Dance Horizons</publisher>
  <year>1968</year>
  <annotations>
   <annotation>
    See entry of original for comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Arbeau, Thoinot</author>
  <item_type type="book" />
  <item_title>Orchesography</item_title>
  <edition>
   <editor>Mary Stewart Evans, trans.</editor>
   <original>1589</original>
  </edition>
  <publisher>Kamin Dance Pub.</publisher>
  <year>1948</year>
  <annotations>
   <annotation>
    See entry of original for comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Arbeau, Thoinot</author>
  <item_type type="book" />
  <item_title>Orchesography</item_title>
  <additional_authors>Mary Stewart Evans, trans.</additional_authors>
  <edition>
   <editor>Julia Sutton</editor>
   <original>1589</original>
  </edition>
  <publisher>Dover</publisher>
  <place>New York</place>
  <year>1967</year>
  <extra>ISBN: 0-486-21745-0 CLOTH</extra>
  <annotations>
   <annotation>
    See entry of original for comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Arena, Antonius de</author>
  <item_type type="book" />
  <item_title>Ad Suos Compagniones Studiantes</item_title>
  <place>Avignon</place>
  <year>c. 1520</year>
  <annotations>
   <annotation author="Matt Larsen">
    This is a treatise on the basse dance and dance etiquette, written
    in Latin. It was apparently intended for law students at the
    University of Avignon, who were familiar with some dances but not
    basse dances. Included are 19 basse dances, but no music. A large
    part of the text is devoted to telling &quot;middle class&quot;
    law students what was and was not proper on the dance floor. The
    instructions which are given for steps are minimal and, as usual,
    far from clear. They are also difficult to resolve with instructions
    from other manuals and therefore pose an interesting problem to
    dance historians. It has been noted that the choreographies which
    Arbeau gives for bassedances are included
    in Arena, which has lead to speculation that Arbeau may have used
    Arena as a source for a dance which he himself was not completely
    familiar with. He would certainly have had access to Arena, since it
    was reprinted in many editions over a span of more than two centuries,
    with the last reprint being about 1758.
   </annotation>
   <annotation author="Nathan Kronenfeld">
    According to Pierre Chartrand, this is currently available and in print
    as &quot;A ses compagnons etudiant&quot;... Antonius Arena, ed.
    L'Atelier de danse populaire, 4 rue Laterale, 94000 Creteil, France
    (ISBN: 2-907567-02-0)
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Guthrie, John</author>
  <additional_authors>Marino Zorzi</additional_authors>
  <item_type type="article" />
  <item_title>Rules of Dancing</item_title>
  <coll_title>Dance Research</coll_title>
  <volume>4</volume>
  <issue>2</issue>
  <year>1986</year>
  <pages>3-53</pages>
  <annotations>
   <annotation>
    Translation of Ad Suos Compagniones Studientes by Antonius de Arena.
   </annotation>
   <annotation>
    Also see entry of original for comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Ashley, Judith</author>
  <item_type type="article" />
  <item_title>Mediaeval Christmas Carols</item_title>
  <coll_title>Music and Letters</coll_title>
  <issue>5</issue>
  <year>1924</year>
  <pages>55</pages>
  <annotations>
   <annotation author="Ian Engle">
    Speaks a little about dance to carols.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_type type="article" />
  <author>Barker, E. Phillips</author>
  <item_title>Master Thoinot's Fancy</item_title>
  <coll_title>Music and Letters</coll_title>
  <issue>11</issue>
  <year>1930</year>
  <pages>383</pages>
  <annotations>
   <annotation author="Ian Engle">
    Introduction to Arbeau when Beaumont was the only version available
    in English.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_type type="book" />
  <author>Barlow, Jeremy, ed.</author>
  <item_title>The Complete Country Dance Tunes From Playford's Dancing Master</item_title>
  <place>London</place>
  <publisher>Faber Music, Ltd.</publisher>
  <year>1985</year>
  <annotations>
   <annotation>
    Cover blurb: This book brings together, for the first time
    under one cover, 535 tunes and their variants from the eighteen original
    editions of The Dancing Master. It provides a fund of musical material
    for performers, whether folk musicians or baroque instrumentalists,
    and for class and instrumental music teachers. It is also an invaluable
    reference book for anyone interested in the history of English music.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_type type="book" />
  <author>Barron, Marshall</author>
  <item_title>Early Playford For Early Instruments</item_title>
  <publisher>Privately published</publisher>
  <year>1987</year>
   <annotations>
    <annotation author="Justin du Coeur">
     Marshall Barron is a fiddler who has been teaching English Country
     dance with the CDSS for many years. These books are collections
     of her arrangements of melodies from the first edition of Playford.
     They are invariably danceable, and generally fairly pleasant to listen
     to; Marshall is quite explicit in her desire to see people use these
     arrangements to promote more reconstruction of Playford. I have heard
     a rumor that a third volume has been published but have not seen it yet.
    </annotation>
   </annotations>
 </item>

 <item>
  <author>Bianchi, Dante</author>
  <item_title>Tre maestri Di Danza Alla Corte Di Francesco Sforza</item_title>
  <item_type type="article" />
  <coll_title>ASL</coll_title>
  <issue>89</issue>
  <year>1962</year>
  <pages>290-299</pages>
 </item>

 <item>
  <item_type type="article" />
  <author>Bianchi, Dante</author>
  <item_title>Un Tratto Inedito Di Domenico Da Piacenza</item_title>
  <coll_title>La Bibliofilia</coll_title>
  <issue>65</issue>
  <year>1963</year>
  <pages>109</pages>
   <annotations>
    <annotation author="Ian Engle">
     Bad transcription of the Domenico ms.
    </annotation>
   </annotations>
 </item>

 <item>
  <item_type type="article" />
  <author>Bloch, Stephen</author>
  <additional_authors>et al.</additional_authors>
  <!-- (SCA pseud. Joshua ibn-Eleazar ha-Shalib; et al). -->
  <item_title>Music For &quot;La Regina&quot;</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <volume>1</volume>
  <issue>8</issue>
  <annotations>
   <annotation author="Justin du Coeur">
    Music for the dance from issue #7, reconstructed from BL Add. ms. 29987,
    ff 62v-63r. Alternate reconstructions also provided, available upon
    request from the Letter. Reconstruction confirmed against traditional
    reconstruction sent by Eloise of Coulter.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_type type="book" />
  <author>Bohme, Franz Magnas</author>
  <item_title>Geschichte Des Tanzes in Deutschland.  Beitrag Zur Deutschen Sitten-, Litteratur- Und Musikgeschichte</item_title>
  <coll_title>Nach Den Quellen Zum Erstenmal Bearbeitet Und Mit Alten Tanzliedern Und Musikproben</coll_title>
  <place>Leipzig</place>
  <publisher>Breitkopf &amp; Hartel</publisher>
  <year>1886</year>
  <phys>2 v. 27 cm</phys>
 </item>

 <item>
  <item_type type="article" />
  <author>Boice, Meredith</author>
  <!-- (SCA pseud. Mara Tudora Kolarova). -->
  <item_title>Back Seat Drivers</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <volume>1</volume>
  <issue>6</issue>
  <year>1990</year>
  <annotations>
   <annotation author="Justin du Coeur">
    An editorial, previously published in another Renaissance newsletter,
    Saltatio, giving advice on how to not disrupt dance practices.
   </annotation>
   <annotation>
     Online version
     http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/letters/backseat.html
   </annotation>
  </annotations>
 </item>

 <item>
  <item_type type="article" />
  <item_title>The Quadran's Purpose?</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <issue>14</issue>
  <year>1992</year>
  <pages>16</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A brief guess at how the Quadran Pavan might have been used in period.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_type type="book" />
  <author>Bonnet, Jacques</author>
  <item_title>Histoire Generale De La Danse, Sacree Et Prophane</item_title>
  <coll_title>Bibliotheca Musica Bononiensis</coll_title>
  <volume>III</volume>
  <!-- was Sezione III -->
  <issue>82</issue>
  <place>Bologna</place>
  <publisher>Forni</publisher>
  <year>1972</year>
  <phys>xl, 269 p. ; 23 cm</phys>
 </item>

 <item>
  <item_type type="book" />
  <author>Bonnet, Jacques</author>
  <additional_authors>Pierre Bourdelot</additional_authors>
  <item_title>Histoire Generale De La Danse Sacree Et Profane</item_title>
  <!-- .  Avec Un
   Supplement De L'histoire De La Musique Et Le Parallele De La Peinture
   Et De La Poesie -->
  <place>Geneve</place>
  <publisher>Slatkine Reprints</publisher>
  <year>1969</year>
  <edition>
   <original>1723</original>
   <reprint />
  </edition>
  <phys>ii, xl, 274 p. 20 cm</phys>
  <!-- original place Paris -->
 </item>

 <item>
  <item_type type="book" />
  <author>Bowles, Edmund A</author>
  <item_title>La Pratique Musicale Au Moyen Age [Musical Performance
   in the Late Middle Ages]</item_title>
  <additional_authors>Claude Chauvel, trans.</additional_authors>
  <place>Geneva</place>
  <publisher>Minkoff &amp; Lattes</publisher>
  <year>1983</year>
  <extra>ISBN: 2-8266-0811-8</extra>
  <annotations>
   <annotation author="Dennis Sherman">
    One of Minkoff's Musical Iconography series, this is a collection of
    plates, many, perhaps most, in color. The focus of the book is the
    practice of music, but the musicians are playing for dancing in many
    of the plates, documenting a wide variety of instrumentation for dance
    music. The plates may also be of some use in interpreting dance steps.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_type type="article" />
  <author>Brainard, Ingrid G</author>
  <item_title>Bassedance, Bassedanza, and Ballo in the Fifteenth Century</item_title>
  <coll_title>Dance History Research</coll_title>
  <issue>64</issue>
 </item>

 <item>
  <item_type type="book" />
  <author>Brainard, Ingrid G</author>
  <item_title>Three Court Dances of the Early Renaissance</item_title>
  <place>New York</place>
  <publisher>Dance Notation Bureau Press</publisher>
  <year>1977</year>
  <phys>ix, 23 p. : ill., music ; 28 cm</phys>
 </item>

 <item>
  <item_type type="article" />
  <author>Brainard, Ingrid G</author>
  <item_title>The Role of the Dancing Master in Fifteenth Century Courtly Society</item_title>
  <coll_title>Fifteenth Century Studies</coll_title>
  <volume>2</volume>
  <year>1979</year>
  <pages>21</pages>
 </item>

 <item>
  <item_type type="article" />
  <author>Brainard, Ingrid G</author>
  <item_title>Modes, Manners, Movement: The Interaction of Dance and Dress
   From the Late Middle Ages to the Renaissance</item_title>
  <coll_title>Proceedings of the Sixth annual conference of the Society
   of Dance History Scholars</coll_title>
  <pages>17-36</pages>
  <place>Milwaukee, WI</place>
  <publisher>Dance History Scholars</publisher>
  <year>1983</year>
 </item>

 <item>
  <item_type type="article" />
  <author>Brainard, Ingrid G</author>
  <item_title>Court Dances of the 15th Century</item_title>
  <coll_title>Proceedings of the Sixth annual conference of the Society
   of Dance History Scholars</coll_title>
  <pages>177</pages>
  <place>Milwaukee, WI</place>
  <publisher>Dance History Scholars</publisher>
  <year>1983</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Introduction to a performance.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_type type="article" />
  <author>Brainard, Ingrid G</author>
  <item_title>The Art of Courtly Dancing in Transition: Nurnberg,
   Germ. Nat. Mus. MS. 8842, a Hitherto Unknown German Source</item_title>
  <coll_title>Crossroads of Medieval Civilization: The City of Regensburg
   and Its Intellectual Milieu</coll_title>
  <coll_editor>eds. Edelgard E. Dubruck and Karl Heinz Goller.</coll_editor>
  <place>Michigan</place>
  <publisher>Michigan Consortium for Medieval and Early Modern Studies</publisher>
  <year>1984</year>
 </item>

 <item>
  <item_type type="article" />
  <author>Brainard, Ingrid G</author>
  <item_title>Translating Cornazano</item_title>
  <coll_title>Dance Chronicle</coll_title>
  <volume>7</volume>
  <issue>1</issue>
  <year>1984</year>
  <pages>107-114</pages>
  <annotations>
   <annotation author="Andrew Draskoy">
    A review of the Inglehearn and Forsyth translation, pointing out the
    shortcomings of the translation and providing most of the supplementary
    information necessary to work with the translation. Together with
    Mazzi and Marrocco, provides enough information to work with Cornazano,
    although a facsimile of the entire original would be useful.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_type type="article" />
  <author>Brainard, Ingrid G</author>
  <item_title>Mesura Et Arte Del Danzare: The Guglielmo Ebreo Conference
   At Pesaro</item_title>
  <coll_title>Dance Chronicle</coll_title>
  <volume>11</volume>
  <issue>1</issue>
  <year>1988</year>
  <pages>116-121</pages>
  <annotations>
   <annotation author="Andrew Draskoy">
    A review of the conference &quot;Mesvra et Arte del Danzare: Gvglielmo
    Ebreo da Pesaro e la danza nelle corti italiane nel xv secolo&quot;
    and an associated exhibition catalogue.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_type type="book" />
  <author>Brainard, Ingrid G</author>
  <item_title>The Art of Courtly Dancing in the Early Renaissance</item_title>
  <publisher>Privately printed</publisher>
  <year>1989</year>
  <annotations>
   <annotation author="Del (D.Elson)">
    This book contains a study on the 15th century dances, considered one
    of the best.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_type type="book" />
  <author>Brissenden, Alan</author>
  <item_title>Shakespeare and the Dance</item_title>
  <place>Atlantic Highlands: NJ</place>
  <publisher>Humanities Press</publisher>
  <year>1981</year>
  <annotations>
   <annotation author="Andrew Draskoy">
    Gives all the references to dance in Shakespeare and discusses the
    role of dance in these and other plays of the period.  Includes plates
    of iconography, esp. from England.  Much of the analysis relating
    to specific dances is, in my opinion, debatable, but there is much
    useful background material here.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_type type="book" />
  <author>Brooks, Lynn Matluck</author>
  <item_title>The Dances of the Processions of Seville in Spain's Golden Age</item_title>
  <coll_title>Estudios De Literatura, Teatro Del Siglo De Oro</coll_title>
  <issue>4</issue>
  <place>Kassel</place>
  <year>1988</year>
  <phys>vi, 411 p. : ill. ; 24 cm</phys>
 </item>

 <item>
  <item_type type="article" />
  <author>Brooks, Lynn Matluck</author>
   <item_title>Cosmic Imagery in the Religious Dances of Seville's Golden Age</item_title>
   <coll_title>Proceedings of the Fourteenth annual conference of the Society
    of Dance History Scholars</coll_title>
   <pages>82-94</pages>
   <place>Riverside: CA</place>
   <publisher>Dance History Scholars</publisher>
   <year>1991</year>
 </item>

 <item>
  <author>Busch, Carolann</author>
  <item_title>The Dances of Battistino: Five Italian Renaissance
   Duets From the Sixteenth Century</item_title>
  <item_type type="dissertation" />
  <dissertation>Master's Thesis (UCLA-1984), UCLA, 1984</dissertation>
  <year>1984</year>
  <annotations>
   <annotation>
    Abstract: Sixteenth century court dance has been preserved in Fabrito
    M. Caroso's Italian manual Il Ballarino (1581). Within the Caroso
    work, twelve dances are attributed to a Messer Battistino. Five
    of these dances, all duets, are the focus of this thesis. These
    dances were chosen as typical of Battistino's work and, to the
    author, the most interesting choreographies. The dances are:
    &quot;Contentezza d'Amore,&quot; &quot;Rustica Amorosa,&quot;
    &quot;Lucretia Favorita,&quot; &quot;Bassa Toscana,&quot; and
    &quot;Barriera Balletto.&quot; This study documents the process of
    reconstructing these dances from an original dance manual, and some
    comparative remarks. In recreating these dances, Il Ballarino is the
    primary and only source used for the dance directions and music. The
    step descriptions and some stylistic remarks on execution and
    etiquette are found in the first section of the book. In realizing
    dances of any given era, it is important to follow those step
    rules and instructions found within the same manual as the dances
    themselves. Each of the dances described will be followed by
    a discussion of the text which will examine the various areas
    of interpretation. The dancer cue sheet, floor plan and lute
    transcription are provided as aids for further reconstructions of
    these works by other interested parties.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_type type="article" />
  <author>Cailtidh nicFhionnlaigh bean Cato (SCA pseud.)</author>
  <item_title>The Teaching of Dance</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <issue>4</issue>
  <year>1990</year>
  <annotations>
   <annotation author="Justin du Coeur">
    Discusses methods of dance teaching. While the letter is primarily aimed
    at SCA dancemasters, much of what it discusses is germane to the teaching
    of folk dance.
   </annotation>
   <annotation>
    Online version:
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/letters/teach.html
   </annotation>
  </annotations>
 </item>

 <item>
  <item_type type="article" />
  <author>Caldwell, John</author>
  <item_title>Early Keyboard Tablatures and Medieval Dance Theory</item_title>
  <coll_title>Atti del XIV Congresso della Società Internazionale
   di Musicologia: Trasmissione e recezione delle forme di cultura
   musicale</coll_title>
  <coll_editor>eds. A. Pompilio, D. Restani, L. Bianconi
   and F.A. Gallo</coll_editor>
  <pages>681-686</pages>
  <place>Turin</place>
  <publisher>Edizioni di Torino</publisher>
  <year>1990</year>
 </item>

 <item>
  <author>Caroso, Marco Fabritio</author>
  <item_title>Il ballarino</item_title>
  <place>Venice</place>
  <publisher>Apresso Francesco Ziletti</publisher>
  <year>1581</year>
  <annotations>
   <annotation author="Matt Larsen">
    This particular manual, Il Ballarino, or The Dancing Master, is the first
    of the Italian manuals of this era to be published.  It contains two
    sections, one on steps and dance manners, and one which contains
    choreographies.  The second section includes eighty dances, with lute
    tabulature for the accompanying music, as well as scores for some of
    the dances.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Caroso, Marco Fabritio</author>
  <item_title>Il ballarino</item_title>
  <place>New York</place>
  <publisher>Broude Brothers</publisher>
  <year>1967</year>
  <edition>
   <original>1581</original>
   <reprint />
  </edition>
 </item>

 <item>
  <author>Caroso, Marco Fabritio</author>
  <item_title>Nobiltà di dame</item_title>
  <place>Venice</place>
  <publisher>Presso il Muschio</publisher>
  <year>1600</year>
 </item>

 <item>
  <author>Caroso, Marco Fabritio</author>
  <item_title>Nobiltà di dame</item_title>
  <edition>
   <editor>Julia Sutton, trans.</editor>
   <original>1600</original>
  </edition>
  <place>Oxford</place>
  <publisher>Oxford University Press</publisher>
  <year>1986</year>
  <extra>ISBN: 0-19-311917-X</extra>
  <annotations>
   <annotation author="Matt Larsen">
    Caroso's second book is a refinement of the first, to the extent
    that the cover page subtitles it the &quot;second Edition of the
    Book Called Il Ballarino.&quot; This is in spite of the fact that only
    some twenty of the forty-nine dances presented in it duplicate dances
    found in the previous volume. But while it is not a true second
    edition, there are many additions and refinements to both the
    &quot;rules&quot; for the steps and the dances themselves. As a result,
    any reconstruction of one of the dances which appears in both volumes
    should rely on the second for the definitive version. Even when
    reconstructing a dance from Il Ballarino which does not appear in
    Nobiltà di Dame, one should examine the step descriptions in the second
    volume, since they are in general more clear and precise. Julia
    Sutton's translation makes this one of the more accessible of the
    sixteenth century Italian sources, but one should be careful not to
    rely too heavily on it in creating reconstructions, as there are always
    nuances lost, however good the translation may be.
   </annotation>
   <annotation author="Lizbeth Langston">
    I disagree that &quot;...any reconstruction ... should rely on the
    second....&quot; While Nobiltà can be useful for clarifying passages
    in Il Ballarino, the first book must be taken on its own terms,
    reflecting a dance tradition reaching back towards the middle of
    the 16th century, as attested by balli d'incerti (dances of
    uncertain origin) and dances by other, earlier dancing masters.  If
    you are interested in dance of an earlier time, use Il Ballarino.  Note
    that descriptions of certain of Caroso's step units change between the
    books. The seguito spezzato is one example, in which the second foot is
    placed differently: to the instep in Il Ballarino, and to the heel in
    Nobiltà. In the seguito ordinario, Caroso specifically instructs
    dancers to finish with the back heel down in Il Ballarino, but allows
    it to rise in Nobiltà. In spite of what Caroso says, I do not consider
    the earlier dance and step-unit instructions wrong or &quot;badly
    made,&quot; rather, as an historian, I assume that each book reflects
    what Caroso thought was correct at the time.  If you want the most
    interesting/complicated dance and exact time period doesn't matter,
    look at all the variations and pick the one you like best.  Finally, if
    you are in a situation where historical accuracy is not the highest
    priority, adapt, mix, interpret, or rechoreograph the originals as much
    as you want!
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Caroso, Marco Fabritio</author>
  <item_title>Nobiltà di dame</item_title>
  <coll_title>Bibliotheca Musica Bononiensis, Ser. II</coll_title>
  <volume>103</volume>
  <item_type type="book" />
  <edition>
   <reprint />
   <original>1600</original>
  </edition>
  <place>Bologna</place>
  <publisher>Forni</publisher>
  <year>1970</year>
 </item>

 <item>
  <item_title>(Cervera ms.)</item_title>
  <coll_title>Folklore Y Costumbres De Espana</coll_title>
  <place>Barcelona</place>
  <year>1934</year>
  <edition>
   <editor>Carreras y Candi, F.</editor>
   <reprint />
  </edition>
  <extra>2nd ed. Vol. I,II</extra>
  <pages>V.I p.vii, V.II p.303</pages>
  <annotations>
   <annotation>
    Includes vol I, p. vii; vol II, p. 303. See entry of original for
    comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Caroso, Marco Fabritio</author>
  <item_title>Raccolta di varij balli...</item_title>
  <place>Rome</place>
  <year>1630</year>
  <annotations>
   <annotation author="Matt Larsen">
    Essentially a reprinting of Nobiltà di Dame with a new title.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Cassazza, Joseph</author>
  <!-- (SCA pseud. Giuseppe Cassazza). -->
  <item_title>Evidence For English Country Dances in the Sixteenth Century</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>16</issue>
  <year>1993</year>
  <pages>31-35</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    Lists all 16th references to Playford dances, and discusses what
    conclusions can be reached based on the scant evidence.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Castelli, Patrizia</author>
  <additional_authors>Maurizio Mingardi and Maurizio Padovan</additional_authors>
  <item_title>Mesura Et Arte Del Danzare : Guglielmo Ebreo Da Pesaro E La Danza Nelle Corti Italiane Del XV Secolo</item_title>
  <place>Pesaro</place>
  <publisher>Pucelle</publisher>
  <year>1987</year>
  <phys>160 p. : ill. (some col.), facsims., ports. ; 28 cm</phys>
  <annotations>
   <annotation author="Lizbeth Langston">
    Exhibit catalog to accompany 1987 Ebreo conference. In Italian. Four
    articles, profusely illustrated. Thoughts on dance and music in the 15th C.
    with particular reference to visual materials. This volume is particularly
    valuable for the well-reproduced illustrations, in color and black and
    white, of old standards and others not usually seen.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Cellio, Monica</author>
  <!-- (SCA pseud. Ellisif Flakkingskvinne). -->
  <item_title>The Return of Spring: A New English Country Dance in the Style of Playford</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>2</issue>
  <year>1989</year>
  <annotations>
   <annotation author="Justin du Coeur">
    As the title implies, a new English Country Dance, in the relatively early
    EC style. (ie, sets of couples, instead of lines of couples).
   </annotation>
   <annotation>
    Online version:
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/recon/retspring.html
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Chadima, Helen Gower</author>
  <item_title>The Use of Castanets in Baroque Dance</item_title>
  <item_type type="article" />
  <coll_title>Proceedings of the Sixth annual conference of the Society
    of Dance History Scholars</coll_title>
  <pages>84-94</pages>
  <place>Milwaukee, WI</place>
  <publisher>Dance History Scholars</publisher>
  <year>1983</year>
 </item>

 <item>
  <author>Chazin-Bennahum, Judith</author>
  <item_title>The Contribution of Jeane-Jacques Rousseau to Ballet (1712-1778)</item_title>
  <item_type type="article" />
  <coll_title>Proceedings of the ninth annual conference of the Society
    of Dance History Scholars</coll_title>
  <pages>152-159</pages>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1986</year>
 </item>

 <item>
  <author>
  </author>
    <!-- Brussels, Bibliotheque Royale, Ms 9085. -->
  <item_title>Le Manuscrit Dit Des Basses Danses De La Bibliotheque De
   Bourgogne</item_title>
  <place>Geneve</place>
  <publisher>Minkoff</publisher>
  <year>1975</year>
  <edition>
   <editor>Closson, Ernest</editor>
   <!-- 1870-1950 -->
   <original>1912</original>
   <reprint />
   <!-- Brussels: 1912; -->
  </edition>
  <annotations>
   <annotation author="Matt Larsen">
    Ms in Brussels, Bibliotheque Royale, Ms 9085. Facsimile with introduction
    and transcription by Ernest Closson. This manuscript includes a short
    discussion on steps for the Burgundian style of basse dance, which are
    processional in nature, beginning with a reverence (i.e.  bow) and branle,
    followed by some combination of single steps, double steps, reprises and
    branles. The most well-known of these dances in the SCA are Dance de Cleves
    and Fransois Nouvele, both reconstructed from this manuscript.  This work
    includes a list of 59 bassedances, along with music. The music given is
    only the tenor line, as the musicians were expected to improvise one or two
    more parts around the base given to the tenor. The introduction by Closson
    is dated, and has been supplanted by newer scholarship.
   </annotation>
   <annotation author="Nathan Kronenfeld">
    There are also two dances which are not basse dances.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>Brussels, Bibliotheque Royale, Ms 9085</item_title>
  <edition>
   <editor>Lieven Baert and Veerle Fack</editor>
  </edition>
  <annotations>
   <annotation>
    http://allserv.rug.ac.be/~vfack/ihdp/15c/brussels.html
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Cochlaus, Johannes</author>
  <item_title>Hie Jnnen sindt geschriben die wellschen tenntz</item_title>
  <year>c. 1517</year>
  <annotations>
   <annotation author="Matt Larsen">
    Nurnberg Ms. &quot;Hie Jnnen sindt geschriben die wellschen tenntz.&quot;
    Brief,undated (c. 1517) ms. in Nurnberg, Germ. Nat. Mus.  (MS 8842).
    Discussion with facsimile of single page in Ingrid Brainard.  &quot;The
    Art of Courtly Dancing in Transition...&quot;, pp. 61-79. This is a
    small manuscript, consisting of seven pages. It offers eight choreographies,
    but no music or description of how the steps are performed is included.
    Dr. Brainard attributes this source to one Johannes Cochlaus, a German who
    was at the university of Bologna. The manuscript was apparently compiled
    for a pair of young ladies in Nurnberg, who desired some knowledge of
    current fashion in Italian dancing, for use at local dances. Most of the
    included dances appear in the Italian sources of the period, but this
    source offers a point of view other than that of a dancing master.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Collins, Marc</author>
  <!-- (SCA pseud. Guillaume di San Marino). -->
  <item_title>Book Review: Orchesography.</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>12</issue>
  <year>1992</year>
  <pages>1-2</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A review of Orchesography as a dance manual, rather than simply something
    to be reconstructed.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Colombo, Carmela</author>
   <!-- and Cesare Negri ? -->
   <item_title>La Danza Nel Seicento</item_title>
   <place>Bellinzona</place>
   <publisher>La Vesconta</publisher>
   <year>1962</year>
   <phys>47 p. 10 plates. 33 cm</phys>
 </item>

 <item>
  <author>Copeland, Robert</author>
  <item_title>The Manner of Dauncynge of Bace Daunces</item_title>
  <coll_title>in Dances of England and France from 1450 to 1600</coll_title>
  <pages>2-4</pages>
  <year>1975</year>
  <place>New York</place>
  <publisher>Da Capo Press</publisher>
  <annotations>
   <annotation author="Matt Larsen">
    Translation of an unknown French source appended to his publication of
    a French grammar by Alexander Barclay. The introductory to wryte and to
    pronounce Frenche. Only copy in Oxford, Bodleian Library (Douce B. 507).
    This source is very similar to some of the French sources from the
    fifteenth century, particularly Toulouze, Moderne, and the Brussels
    manuscript, although this source is somewhat more brief. It includes a
    number of the choreographies which appear in the other sources, although
    it contains no music and offers fewer choreographies than the French
    sources.  The discussion is also more brief than that in the other
    sources, but the information which is there is very similar to parts
    in the others.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Cornazano, Antonio</author>
  <item_title>Libro Dell'arte Del Danzare</item_title>
  <year>1455</year>
 </item>

 <item>
  <author>Cornazano, Antonio</author>
  <item_title>Libro Dell'arte Del Danzare</item_title>
  <place>Florence</place>
  <publisher>La Bibliofilia</publisher>
  <year>1916</year>
  <edition>
   <original>1455</original>
   <reprint />
  </edition>
  <annotations>
   <annotation author="Matt Larsen">
    Ms. copy (c.1465) in Rome Biblioteca Aposolica Vaticana
    (Codex Capponiano,203. About two fifths of the book contains a discussion
    of the qualities which one needs for dancing, such as Memory, Measure,
    Manner, Spirit, Variety and Use of Space. These generalities give way to
    a discussion of tempo and steps, although the step descriptions given are
    hazy and open to multiple interpretations (as is usually the case with
    these manuals). The remaining three fifths of the book are given over to
    descriptions of dances, balli and bassedanza, some of which appear in the
    other available sources.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Cornazano, Antonio</author>
  <item_title>The Book on The Art of Dancing</item_title>
  <place>London</place>
  <publisher>Dance Books Ltd</publisher>
  <year>1981</year>
  <edition>
   <editor>Madeleine Inglehearn and Peggy Forsyth, trans.</editor>
   <original>1455</original>
  </edition>
  <extra>ISBN: 0-903102-63-3</extra>
  <annotations>
   <annotation author="Matt Larsen">
    This is the first available translation of a fifteenth century Italian
    treatise, and so is one of the earliest sources easily accessible to
    most readers. Anyone who is at all serious about fifteenth century dance
    should obtain a copy, although consultation of the original and other
    sources in the Italian are a must for any serious reconstruction of the
    dances. See entry of original for further comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Cornazano, Antonio</author>
  <item_title>Proverbi di messer Antonio Cornazano in facetie</item_title>
  <place>Bologna</place>
  <publisher>Forni</publisher>
  <year>1968</year>
  <edition>
   <original>1865</original>
   <reprint />
  </edition>
 </item>

 <item>
  <author>Corti, Gino</author>
  <item_title>Cinque Balli Toscani Del Cinquecento</item_title>
  <coll_title>Rivista Italiana Di Musicologia</coll_title>
  <item_type type="article" />
  <volume>12</volume>
  <issue>1</issue>
  <year>1977</year>
  <pages>73-82</pages>
  <annotations>
   <annotation author="Lizbeth Langston">
    Transcription of five dances. &quot;La Caccia&quot; from Firenze,
    Archivo di Stato: Carte Strozziane Serie I, 22 (1559) and four balletti:
    &quot;Ruota di Fortuna,&quot; &quot;La Bataglia,&quot;
    &quot;La Invlice,&quot; and &quot;Adorato Core&quot; from Firenze,
    Biblioteca nazionale ms. Magl XIX, 31. These last four include music
    strains: transcribed lute tablature and score.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Crane, Frederick</author>
  <item_title>The Derivation of Some Fifteenth Century Basse-Dance Tunes</item_title>
  <coll_title>Acta Musicologica</coll_title>
  <item_type type="article" />
  <volume>37</volume>
  <year>1965</year>
  <pages>179-88</pages>
 </item>

 <item>
  <author>Crane, Frederick</author>
  <item_title>Materials For the Study of Fifteenth Century Basse Dance</item_title>
  <coll_title>Wissenschaftliche Abhandlungen</coll_title>
  <volume>16</volume>
  <place>New York</place>
  <publisher>Institute of Medieval Music</publisher>
  <year>1968</year>
 </item>

 <item>
  <author>Crane, Frederick</author>
  <item_title>On Performing Los Estampies</item_title>
   <item_type type="article" />
  <coll_title>Early Music</coll_title>
  <issue>7</issue>
  <year>1979</year>
  <pages>25</pages>
  <annotations>
   <annotation author="Ian Engle">
    Concerns musical performance.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Cruciani, Fabrizio</author>
   <item_title>Teatro nel Rinascimento Roma 1450-1550</item_title>
   <place>Rome</place>
   <publisher>Bulzoni</publisher>
   <year>1983</year>
 </item>

 <item>
  <author>Cruickshank, Diana</author>
  <item_title>Danzare Et Balare, Vol. 1</item_title>
  <phys>Spiral bound</phys>
 </item>

 <item>
  <author>Cruickshank, Diana</author>
  <item_title>Danzare Et Balare, Vol. 2</item_title>
  <phys>Spiral bound</phys>
 </item>

 <item>
  <author>Cruickshank, Diana</author>
  <item_title>Danzare Et Sonare</item_title>
  <annotations>
   <annotation author="Del (D.Elson)">
    15th Century Italian Dances, arranged and played by the Longslade Consort.
    Dances interpreted by Diana Cruickshank.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Cruickshank, Diana</author>
  <item_title>Selva Amorosa</item_title>
  <annotations>
   <annotation author="Del (D.Elson)">
    This is a collection of 18 of the dances from Caroso's Il ballarino (1581)
    and Nobiltà di Dame (1600). The book gives the choreographies, translated
    and interpreted by Diana Cruickshank. The accompanying cassette tape,
    played by Scaramella, contains the music for the dances, arranged by
    Stewart McCoy
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Cunningham, James P</author>
  <item_title>The Country Dance -- Early References</item_title>
  <coll_title>Journal of the English Folk Dance and Song Society</coll_title>
  <item_type type="article" />
  <volume>9</volume>
  <issue>3</issue>
  <year>December 1962</year>
 </item>

 <item>
  <author>Cruickshank, Diana</author>
  <item_title>Dancing in the Inns of Court</item_title>
  <place>London</place>
  <publisher>Jordan &amp; Sons, Ltd.</publisher>
  <year>1965</year>
  <annotations>
   <annotation author="Dennis Sherman">
    Includes transcriptions of four mss.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Cutts, John P</author>
  <item_title>Jacobean Masque and Stage Music</item_title>
  <item_type type="article" />
  <coll_title>Music and Letters</coll_title>
  <issue>35</issue>
  <year>1954</year>
  <pages>185</pages>
  <annotations>
   <annotation author="Ian Engle">
    Catalogue and commentary.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Daniels, Margaret</author>
  <item_type type="article" />
  <item_title>Passacaille D'Armide</item_title>
  <coll_title>Proceedings of the Sixth annual conference of the Society
    of Dance History Scholars</coll_title>
  <pages>178</pages>
  <place>Milwaukee, WI</place>
  <publisher>Dance History Scholars</publisher>
  <year>1983</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Introduction to a performance.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Daugenti, Carl</author>
  <item_title>Dance in Medieval Western Europe</item_title>
  <dissertation>Master's Thesis (UCLA-1987), UCLA</dissertation>
  <item_type type="dissertation" />
  <year>1987</year>
  <phys>v, 83 leaves : ill. ; 28 cm</phys>
 </item>

 <item>
  <author>Davies, Sir John</author>
  <item_title>Orchestra, a Poem of Dancing</item_title>
  <place>London</place>
  <year>1594</year>
  <annotations>
   <annotation author="Matt Larsen">
    This is an Elizabethan poem which celebrates dancing as an art, and
    in particular indicates that the dancing which was done at the time
    in the court of Elizabeth I was the ultimate form of the art.  The
    poem is of interest to dance historians in that it includes some
    passages which describe the dancing of the time. These passages are not
    very detailed, however, so their value lies mostly in providing some
    supporting evidence for interpretations of steps and dance forms which
    are described in more detail in other sources.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Daye, Anne</author>
  <item_title>From Word to Movement</item_title>
  <coll_title>Historical Dance</coll_title>
  <item_type type="article" />
  <volume>2</volume>
  <issue>4</issue>
  <year>1984-1985</year>
  <pages>13-23</pages>
  <annotations>
   <annotation author="Andrew Draskóy">
    A discussion of approach to dance research, illustrated by an analysis
    of Caroso's &quot;Furioso&quot; dances, with a detailed reconstruction
    of &quot;Furioso all'Italiana,&quot; including music and facsimiles of
    the original.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Daye, Anne</author>
  <item_title>Torchbearers in the English Masque</item_title>
  <coll_title>Early Music</coll_title>
  <item_type type="article" />
  <year>May 1998</year>
  <pages>246-262</pages>
 </item>

 <item>
  <author>Daye, Anne</author>
  <item_title>The Problem of Negri's Term fioretto spezzato</item_title>
  <coll_title>Historical Dance</coll_title>
  <item_type type="article" />
  <volume>2</volume>
  <issue>5</issue>
  <year>1986/7</year>
  <pages>36</pages>
 </item>

 <item>
  <author>Daye, Anne</author>
  <item_title>The Professional Life of the Italian Dancing Master
	c. 1550-1625</item_title>
  <coll_title>The Dancing Times</coll_title>
  <item_type type="article" />
  <year>February 1991</year>
  <pages>458-459</pages>
 </item>

 <item>
  <author>Playford, John</author>
  <item_title>Playford's English Dancing Master - a Facsimile Reprint With an
	Introduction, Bibliography and Notes</item_title>
  <place>London</place>
  <publisher>Schott &amp; Co. Ltd.</publisher>
  <edition>
   <editor>Dean-Smith, Margaret</editor>
  </edition>
  <year>1957</year>
  <annotations>
   <annotation>
    See original for more information
   </annotation>
  </annotations>
 </item>

 <item>
  <author>DeMol, Karen A</author>
  <item_title>Tonal Practices in Early Seventeenth Century German Dances</item_title>
  <dissertation>dissertation</dissertation>
  <item_type type="dissertation" />
  <year>1990</year>
 </item>

 <item>
  <author>Dils, Ann</author>
  <item_title>The Egg Dances</item_title>
  <item_type type="article" />
  <coll_title>Proceedings of the Seventh annual conference of the Society
	of Dance History Scholars</coll_title>
  <coll_editor>Christena L. Schlundt</coll_editor>
  <pages>119-135</pages>
  <place>Towson, MD</place>
  <publisher>Dance History Scholars</publisher>
  <year>1984</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Traces the history of this popular amusement of the 16th-18th C.
    &quot;Egg dances can be grouped in two categories of performance,
    egg manipulation and egg avoidance. In both cases, a primary concern of
    the dance is not to break the eggs.&quot;
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Diserti, Benvenuto</author>
  <item_title>Un'aria Di Danza a Ritmo Ambiguo in Un Affresco Del Cinquecento</item_title>
  <item_type type="article" />
  <coll_title>Rivista Musicale Italiana</coll_title>
  <issue>64</issue>
  <year>1940</year>
  <pages>31</pages>
  <annotations>
   <annotation author="Ian Engle">
    A dance tune in a painting reconstructed in perfect and imperfect time.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dixon, Peggy</author>
  <item_title>Early Dance Book 1, Medieval to 15th C French Basse Dance</item_title>
  <place>Glasgow</place>
  <publisher>Nonsuch Early Dance Society</publisher>
  <annotations>
   <annotation>
    From catalogue: Bransles Double, Simple, and Gai; 7 Branles Coupes;
    Farandoles; Ductia; Danse Royale; Estampies Simple, Double and Gai; 8
    Estampies Royales; Old Almaine; Basse Dances.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dixon, Peggy</author>
  <item_title>Early Dance Book 2, Italian Renaissance and Caroso &amp;
	Negri Dances</item_title>
  <place>Glasgow</place>
  <publisher>Nonsuch Early Dance Society</publisher>
  <annotations>
   <annotation>
    From catalogue: Pellegrina; Rostibolly; Anello; Alexandresca; Gelosia;
    Mercantia; Daphnes; Sobria; Jupiter (Giove); Zinevra; Prexoniera; Venus;
    Verceppe; Torneo Amoroso; Bella Gioiosa Austria Felice; Furioso;
    Alta Mendoza; Brando di Cales; Corrente.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dixon, Peggy</author>
  <item_title>Early Dance Book 3, Elizabethan Dances Part 1</item_title>
  <place>Glasgow</place>
  <publisher>Nonsuch Early Dance Society</publisher>
  <annotations>
   <annotation>
    From catalogue: Basse Danse &quot;Jouyessance vous Donnerai&quot; &amp;
    Tourdion; Almaine &amp; Recoupe; New Almaine; Tant que vivray; Pavane
    &quot;Belle qui tiens ma vie&quot;; Pavanes/Galliards; English Coranto;
    Spanish Pavane; La Volta; Les Bouffons; Pavane La Bataille; La Morisque;
    The Fairy Round; music for practice.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dixon, Peggy</author>
  <item_title>Early Dance Book 4, Elizabethan Dances Part 2</item_title>
  <place>Glasgow</place>
  <publisher>Nonsuch Early Dance Society</publisher>
  <annotations>
   <annotation>
    From catalogue: Bransles Charlotte, Pinagay, Aridan, Horses, Officials,
    Clogs, Washerwomen's, de la Guerre, de la Montarde, Scots, Bransles Coupes;
    Black, Queen's and Cecilia's Almaines; Nonsuch, Confesse, Parson's Farewell;
    Heartsease; Rufty Tufty; Sellinger's Round; Mundesse; Cuckold's All Awry;
    Shepherd's Holiday; Dargason; Saint Martins; Love for Love.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dixon, Peggy</author>
  <item_title>Early Dance Book 5, English Country Dances (17th &amp; 18th
C)</item_title>
  <place>Glasgow</place>
  <publisher>Nonsuch Early Dance Society</publisher>
  <annotations>
   <annotation>
    From catalogue: Gathering Peascods; Park; Grays' Inn Maske; Jenny Plucks
    Pears; Lull Me Beyond Thee; Mage on a Cree; Picking of Sticks; Oranges
    and Lemons; Mr Beveridge's Maggot; Maids Morris; Hunsdon House; Scotch
    Measure; The Slip; The Trip to the Jubilee; The Happy Pair; The Hole in
    the Wall; The Guidman of Balangigh; The Spring; Miss Stuart Seton's Reel;
    The Rakes of Rochester.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dixon, Peggy</author>
  <item_title>Early Dance Book 9, First Supplement</item_title>
  <place>Glasgow</place>
  <publisher>Nonsuch Early Dance Society</publisher>
  <annotations>
   <annotation>
    From catalogue: Manfredina and Rotta; Suite of Branles; Branle de Bourgogne;
    short La Spagna; Die Vier Branlen; Il etait une fillette; Shafertanz; 1000
    Dukaten; Ligiadra; Tesara; Leoncello; Contentezza d'Amore; Contrapassa
    Nuovo; La Nizzarda; Il Conto dell'Orco; Chelsea Reach; Faine I Would; Well
    Hall; Wooley and Georgy; Draper's Maggot; The Hole in the Wall; Queen
    Caroline's March; Passacaille for two ladies, from Armide
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dixon, Peggy</author>
  <item_title>Reflections on Basse Dance Source Material - Part II</item_title>
  <coll_title>Historical Dance</coll_title>
  <item_type type="article" />
  <volume>2</volume>
  <issue>4</issue>
  <year>1984-1985</year>
  <pages>24-27</pages>
  <annotations>
   <annotation author="Andrew Draskoy">
    An excellent summary of what we are told (and not told) about the dances
    in the Brussels MS and Toulouze Incunabulum.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dolmetsch, Mabel</author>
  <item_title>Dances of England and France From 1450 to 1600</item_title>
  <place>London</place>
  <publisher>Routledge and Paul</publisher>
  <year>1949</year>
  <phys>xii, 163 p. plates, music. 26 cm</phys>
 </item>

 <item>
  <author>Dolmetsch, Mabel</author>
  <item_title>Dances of England and France 1450-1600</item_title>
  <publisher>Da Capo Press</publisher>
  <year>1975</year>
 </item>

 <item>
  <author>Dolmetsch, Mabel</author>
  <item_title>Dances of Spain and Italy, 1450-1600</item_title>
  <publisher>Da Capo Press</publisher>
  <year>1976</year>
  <annotations>
   <annotation author="Del (D.Elson)">
    An early work on reconstructing the dances from the Italian manuscripts,
    from Domenico in 1450 to Caroso and Negri. Much of the research in this
    book has since been rendered obsolete.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dolmetsch Historical Dance Society</author>
  <item_title>The Art of Dancing</item_title>
  <annotations>
   <annotation author="Del (D.Elson)">
    A collection of Baroque Minuets and some Bourees and Allemandes.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dolmetsch Historical Dance Society</author>
  <item_title>Il Ballarino</item_title>
  <annotations>
   <annotation author="Del (D.Elson)">
    A collection of dances reconstructed from Caroso and Negri. There is a
    similarly titled CD from The Broadside Band, on Hyperion, which contains
    the music for these dances (CDA66244).
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dolmetsch Historical Dance Society</author>
  <item_title>Dances of Queen Elizabeth's Court</item_title>
  <annotations>
   <annotation author="Del (D.Elson)">
    A collection of 16th Century dances, from Arbeau, Inns of Court,
    and Caroso.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dolmetsch Historical Dance Society</author>
  <item_title>Devices For Dancing: 1680 - 1700</item_title>
  <annotations>
   <annotation author="Del (D.Elson)">
    A collection of country dances and period dances from
    England and France.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dolmetsch Historical Dance Society</author>
  <item_title>Georgian Delights</item_title>
  <annotations>
   <annotation author="Del (D.Elson)">
    A collection of Baroque dances, including a number of minuets.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dolmetsch Historical Dance Society</author>
  <item_title>Princely Masques and Revels</item_title>
  <annotations>
   <annotation author="Del (D.Elson)">
    A collection of Galliards, Corantos, Bransles and Balli
    from Caroso, Negri, and other sources.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dolmetsch Historical Dance Society</author>
  <item_title>Revels For 1588</item_title>
  <annotations>
   <annotation author="Del (D.Elson)">
    A collection of dances from Arbeau, Playford, Negri, and the Inns of Court
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dolmetsch Historical Dance Society</author>
  <item_title>Sonare Et Balare</item_title>
  <annotations>
   <annotation author="Del (D.Elson)">
    A good collection of 15th C basse danses and balli from Italy and Burgundy.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dolmetsch Historical Dance Society</author>
  <item_title>To Celebrate a Prince</item_title>
  <annotations>
   <annotation author="Del (D.Elson)">
    A reasonable collection of 15th C dances from the time of Lorenzo de
    Medici (the book starts with a short biography on Lorenzo).  Sixteen
    dances in all, with tenor lines. A tape of the tunes also exists.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Domenico da Piacenza</author>
  <item_title>De Arte Saltandi &amp; Choreas Ducendi</item_title>
  <place>Florence</place>
  <year>1963</year>
  <edition>
   <original>c. 1450</original>
   <editor>Dante Bianchi</editor>
  </edition>
  <annotations>
   <annotation author="Matt Larsen">
    Ms. in Paris, Bibliotheque Nationale (fonds it. 972).  Italian dance
    of the fifteenth century is the earliest form of dance for which
    written instructions have survived to the present. This is the earliest
    of those manuals, and according to some authorities, the best. Many of
    the dances described in this manual continue to appear in manuals up
    until the early sixteenth century, which gives an indication of their
    popularity.  Italian dances of the time can be broken down into two
    general categories, bassadanza and balli. The difference between the
    two is primarily one of tempo and meter; bassadanza are always in 3/2
    time, while the meter may change in the middle of balli, from 4/4 to
    3/2 to 3/4, etc. There are often several such changes in a ballo,
    sometimes as many as four or five. Balli also tend to be more involved
    choreographically, including more complex steps and figures. This
    manual consists of 56 relatively small pages. The first thirteen of
    these contain instruction on how the dances and steps are to be
    performed, and the remainder of the manuscript consists of
    choreographies and their music. A total of fifteen choreographies are
    included.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>Un Trattato Inedito De Domenico Da Piacenza</item_title>
  <coll_title>La Bibliofilia</coll_title>
  <item_type type="article" />
  <volume>65</volume>
  <pages>109-149</pages>
  <annotations>
   <annotation>
    Publication of Domenico da Piacenza, De Arte Saltandi &amp; Choreas
    Duchndi. See entry of original for comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Domkos, P. P.</author>
  <additional_authors>Elena Ferrari-Barassi</additional_authors>
  <item_title>Der moriskentanz in Europa und in der Ungarischen
	tradition</item_title>
  <!-- La tradizione della moresca e uno sconosciuto ballo del Cinque- Seicento -->
  <coll_title>Studia Musicologica Rivista Italiana Di Musicologia</coll_title>
  <item_type type="article" />
  <issue>105</issue>
  <pages>(21170): 22937</pages>
 </item>

 <item>
  <author>Doob, Penelope B. R</author>
  <item_title>The Auxerre Labyrinth Dance</item_title>
  <coll_title>Proceedings of the Eighth annual conference of the Society
    of Dance History Scholars</coll_title>
  <item_type type="article" />
  <pages>132-141</pages>
  <publisher>Dance History Scholars</publisher>
  <year>1985</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Examines one medieval ecclesiastical dance from central France,
    the Auxerre pelota ritual.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Dorian Longwind of Neumes (pseud.), arr.</author>
  <item_title>Lord Longwind's Book of Dance Music</item_title>
  <place>Albuquerqe, NM</place>
  <publisher>Raymond's Quiet Press</publisher>
  <year>1985</year>
  <extra>ISBN: 0-943228-08-5</extra>
  <annotations>
   <annotation author="Dennis Sherman">
    A collection of arrangements of dances popular in the Society for
    Creative Anachronism. Mostly 3 and 4 part, arranged primarily for
    recorders.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Drabecka, Maria</author>
  <item_title>A Comparative Study of the Cinque Passi - The Basic Step
	of the Galliard</item_title>
  <item_type type="article" />
  <coll_title>Dance Studies</coll_title>
  <issue>1</issue>
  <year>1976</year>
  <pages>65-73</pages>
  <annotations>
   <annotation author="Lizbeth Langston">
    Labanotation and comparative analysis of cinque-passi steps from Caroso
    (1581), Arbeau (1589), Lutij (1589), Negri (1604) and de Lauze (1623).
    Notation is more precise than word-notes. Thus anyone interpreting the
    descriptions of the masters needs to impose symbolic precision on
    imprecise sentences. I find this article interesting because two of
    Drabecka's kinetograms (Labanotation diagrams), those of Caroso and Lutij,
    are somewhat different from my own reading of the same descriptions.
    This emphasizes the value of Labanotation as a means of communication
    while easily seeing the detailed differences within a range of
    interpretations
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Draskóy, Andrew</author>
  <item_title>&quot;Se il cavallo e gagliardo&quot;: Connections between Horsemanship
	and Dance in 16th-century Italy</item_title>
  <coll_title>Proceedings of the International Early Dance Conference, Ghent,
    April 2000</coll_title>
  <item_type type="article" />
  <year>2000</year>
  <place>Ghent</place>
  <publisher>I.D.H.P.</publisher>
 </item>

 <item>
  <author>Dumanoir, Guillaume</author>
  <item_title>Le Mariage De La Musique Avec La Dance</item_title>
  <coll_title>Bibliotheca Musica Bononiensis</coll_title>
  <item_type type="article" />
  <volume>Sezione 2</volume>
  <issue>106</issue>
  <place>Bologna</place>
  <publisher>A. Forni</publisher>
  <year>1985</year>
  <phys>120 p. ; 22 cm</phys>
 </item>

 <item>
  <author>Durham, Janelle</author> <!-- SCA pseud. Jane Lynn of Fenmere -->
  <item_title>Stepping On Our Toes: Courtesy Towards Your Partner</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <volume>
  </volume>
  <issue>15</issue>
  <year>1992</year>
  <pages>10-11</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A short discussion of courtesy as described in some period manuals,
    and advice for the modern Renaissance dancer
   </annotation>
  </annotations>

 </item>
 <item>
  <author>Durham, Janelle</author> <!-- SCA pseud. Jane Lynn of Fenmere -->
  <item_title>Stepping On Our Toes: Why Don't We Do Any Early Period Dance?</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <volume>
  </volume>
  <issue>16</issue>
  <year>1993</year>
  <pages>35-37</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    Briefly examines what we know about Medieval Dance, and why it is
    difficult to reconstruct any of it.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Durham, Janelle</author> <!-- SCA pseud. Jane Lynn of Fenmere -->
  <additional_authors>Peter Durham</additional_authors>
  <item_title>Stepping on Our Toes: Why Do We Dance?</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>14</issue>
  <year>1992</year>
  <pages>13-15</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    The first installment of a regular column; discusses the motivations
    behind dancing in period
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Durham, Janelle</author> <!-- SCA pseud. Jane Lynn of Fenmere -->
  <item_title>Alternate Reconstructions of Dargason</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>9</issue>
  <year>1991</year>
  <pages>7-12</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    Examines five different reconstructions of Dargason that are in at least
    some use in the SCA, including the one in the previous article. Explores
    the differences and similarities of the reconstructions, and discusses
    their validity, based on Playford's original.
   </annotation>
   <annotation>
    Online version:
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/recon/dargason2.html
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Ebreo, Guglielmo</author>
  <item_title>De Praticha Seu Arte Tripudii Vulgare Opsculum</item_title>
  <!-- , Ghuglielmihebrei Pisauriensis. -->
  <!-- item_title Trattato Dell Arte Del Ballo -->
  <place>Bologna</place>
  <publisher>Presso Gaetano Romagnoli</publisher>
  <year>1873</year>
  <edition>
   <original>c. 1460</original>
   <editor>Francesco Zambrini</editor>
  </edition>
  <annotations>
   <annotation author="Matt Larsen">
    Ms. in Florence, Biblioteca Nazionale Centrale (Codex
    Magliabecchiana-Strozziano XIX, 9, Nr. 88). Published as &quot;Trattato
    dell'arte del ballo di Guglielmo Ebreo, pesarese&quot;. This manuscript
    contains the usual section discussing steps, and a total of thirty four
    dances, seventeen bassadanza and seventeen balli. As usual, most of the
    dances can be found in other sources. No music is included.
   </annotation>
   <!-- annotation Online version
    ftp://bransle.ucs.mun.ca/pub/rendance/ebreo.balli
    ftp://bransle.ucs.mun.ca/pub/rendance/ebreo.bassedanze
   /annotation -->
  </annotations>
 </item>

 <item>
  <item_title>De Praticha Seu Arte Tripudii Vulgare Opsculum</item_title>
  <!-- , Ghuglielmihebrei Pisauriensis. ca.1460;  -->
  <place>Bologna</place>
  <publisher>Forni</publisher>
  <year>1968</year>
  <edition>
   <reprint />
   <original>1873</original>
  </edition>
  <annotations>
   <annotation author="Del (D.Elson)">
    This is a reprinting of the Zambrini transcription of Codex XIX, 9, Nr. 88.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Ebreo, Guglielmo</author>
  <item_title>Untitled MS: D.I. 42</item_title>
  <place>Foligno</place>
  <publisher>Michele Faloci-Pulignani</publisher>
  <year>1887</year>
  <edition>
   <original>c. 1460</original>
  </edition>
  <annotations>
   <annotation author="Matt Larsen">
    Ms. in Foligno, Seminario Vescovile, Biblioteca L. Jacobilli.  Published
    (as a nuptial offering to the couple Renier-Campostrini) as &quot;Otto
    bassdanze di M. Guglielmo de Pesaro e de M.Domenico da Ferrara&quot;.
    This is a short manuscript which contains the choreographies for eight
    bassadanza.  It includes no music, nor is there an introductory section
    discussing steps.  Among the dances are Pelygryna and La Reale.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Ebreo, Guglielmo</author>
  <item_title>Guglielmi Hebraei Pisauriensis De Pratica Seu Artetripudii
	Vulgare Opusculum</item_title>
  <year>1463</year>
  <annotations>
   <annotation author="Matt Larsen">
    Ms. (by the amanuensis Paganus Raudensis) in Paris, Bibliotheque
    Nationale (fonds it. 973). All of the manuals attributed to
    Guglielmo Ebreo are roughly similar in structure (note that by
    manual I mean a work which includes information on how the dances
    and steps are to be performed, not just choreographies). The
    discussion in each is broken down into classifications in a similar
    fashion to Cornazano, including
    sections on Measure, Memory, Use of Space, etc. The differences are
    primarily small changes in the exact wording, although some manuals
    include sections that are not in others, and some sections are more
    extensive in some manuals. The primary difference between the
    manuals is how many choreographies each includes, and which they
    are. Another difference is whether the manual includes music for
    the dances or not. This particular manuscript consists of one
    hundred and three small pages. The first forty three discuss steps
    and their performance.  The remainder of the manual includes
    choreographies for thirty one dances, fourteen bassadanze and
    seventeen balli. The last few pages contain the music for the
    dances.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Ebreo, Guglielmo</author>
  <item_title>Guglielmi Ebrei Pisaurienses De Pracha Seu Artetripudi Vulghare
	Opuschulam Feliciter Incipit Senper Chongratia Sia Didio Senper</item_title>
  <year>c. 1470</year>
  <annotations>
   <annotation author="Matt Larsen">
    Ms. (originally owned by Giorgio del Giudeo (c. 1470), donated by
    Walter Toscanini) in New York, Public Library, Dance Collection
    (Cia Fornaroli Coll. (S) *MGZMB-Res. 72-254). This manuscript
    contains some thirty seven large pages of very difficult to read
    writting. The first nine pages are discussion of dance and how the
    steps are performed, while the remaining pages give choreographies
    for fifty five separate balli and bassadanza. No music is included,
    but many of the dances appear in other manuscripts in which the
    music is recorded. This manuscript is not for the faint of heart,
    as the handwriting is almost illegible, and no transcription
    exists. It does, however, contain a wealth of valuable information.
    It is also one of the few sources which is in the U.S., which makes
    it somewhat more available, at least to those who live on the east
    coast.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Ebreo, Guglielmo</author>
  <item_title>Guglielmus Ebreis Pisauriensis De Pracha Seu Artetripudi
	Vorghare Opusculum</item_title>
  <year>1510 or 1540</year>
  <annotations>
   <annotation author="Matt Larsen">
    Ms.in Florence, Biblioteca Medicea- Laurenziana (Codex Antinori A13).
    This source is made up of ninety pages of text, and written in a hand
    that is very difficult to read.  It contains the usual remarks on the art
    of dancing, and a relatively large section of choreographies. Eighteen
    bassadanza and twenty one balli are included.  No music is given.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Ebreo, Guglielmo</author>
  <item_title>On the Practice of the Art of Dancing</item_title>
  <edition>
   <editor>Barbara Sparti, trans.</editor>
  </edition>
  <place>Oxford</place>
  <publisher>Oxford University Press</publisher>
  <year>1993</year>
  <extra>ISBN: 019-816-2332</extra>
  <annotations>
   <annotation author="Del (D.Elson)">
    A complete transcription and translation of Gugliemo's main manuscript,
    with appendices covering the new material from Ambrosio.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Ebreo, Guglielmo</author>
  <item_title>Della Virtue Etarte Del Danzare..</item_title>
  <place>Modena</place>
  <year>1885</year>
  <edition>
   <editor>Giovanni Messori Roncaglia</editor>
  </edition>
  <annotations>
   <annotation author="Matt Larsen">
    Ms. in Modena, Biblioteca Estense (Ital. 82, a.J.9.4.  (formerly
    VII.A.82)). Published as &quot;Della virtue etarte del danzare...&quot;.
    This manuscript is relatively small, only fifty eight pages, and includes
    the usual section concerning steps and dancing in general. This is followed
    by a relatively small number of dances, five bassadanza and ten balli.
    No music is included.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Ebreo, Guglielmo</author>
  <!-- orig title Trattato Della Danza Composto Da Maestro Guglielmo Edin Parte
	Cavato Dell'opera Di Maestro Domenico, Cavagliere Piacentino -->
  <item_title>Una sconosciuta compilazione di un libro quattrocentistico
	di balli</item_title>
  <coll_title>La Bibliofilia</coll_title>
  <item_type type="article" />
  <issue>Anno 16</issue>
  <year>1915</year>
  <pages>185-209</pages>
  <edition>
   <editor>Curzio Mazzi</editor>
  </edition>
  <annotations>
   <annotation author="Matt Larsen">
    Ms. in Siena, Biblioteca Comunale (Codex V. 29). Published, with omission
    of passages agreeing with Zambrini and Roncaglia versions, by Curzio
    Mazzi.  This source in nearly identical to Zambrini, except that it
    includes many dances which are not in the other. It includes a total
    of sixty four dances, of which thirty are bassadanza and thirty four
    are balli. This source does not include any music.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Ebreo, Guglielmo</author>
  <item_title>Untitled MS: Fondo Palatino 1021, ff. 105r- 106v</item_title>
  <annotations>
   <annotation author="Matt Larsen">
    Ms. fragment in Florence, Biblioteca Nazionale Centrale.  This is a
    relatively minor source, being a pair of pages which are all that are
    left of a Guglielmo manual. They are from the section on how dances
    are performed, so they are of some use in reconstructing steps. Their use
    is limited, however, by the fact that they are not that different from
    the more complete manuals, and by their brevity.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Ebreo, Guglielmo (Giovanni Ambrosio)</author>
  <item_title>The Art and Practice of Dancing By Giohanne Ambrosio</item_title>
  <year>1500 ?</year>
  <place>Nelson, England</place>
  <publisher>Nelson Historical Dance Society</publisher>
  <annotations>
   <annotation author="Del (D.Elson)">
    A typed copy of the original Giohanne Ambrosio ms, now accepted to have
    been written by Gugliemo Ebreo after changing his name.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Ebreo, Guglielmo (Giovanni Ambrosio)</author>
  <item_title>Domini Iohannis Ambrosii Pisauriensisde Practica Seu Arte
	 Tripudii Vulgare Opusculum</item_title>
  <annotations>
   <annotation author="Matt Larsen">
    Ms. in Paris, Bibliotheque Nationale (fonds it. 476).
    This is a relatively thick manuscript, with some 161 relatively small pages.
    It is similar in structure to most of the major sources of the period,
    beginning with the usual section on steps, and proceeding onto specific
    choreographies. Thirty six choreographies are included, fifteen bassadanza
    and twenty one balli, as well as the music for them. This source is an
    excellent place for a person who wishes to begin reconstructing fifteenth
    century Italian dances to begin, since it includes discussion on steps,
    music and a large number of interesting dances. The only drawback is, of
    course, that it is in Italian and has not been translated
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Elliott, Janine</author>
  <item_title>The Relationship Between Music and Dance in Cotswold Morris
	Performance</item_title>
  <dissertation>dissertation</dissertation>
  <item_type type="dissertation" />
  <year>1993</year>
 </item>

 <item>
  <author>Ellis, Helen Meredith</author>
  <item_title>The Dances of J.B. Lully (1632- 1687)</item_title>
  <dissertation>dissertation, Stanford University-1967</dissertation>
  <item_type type="dissertation" />
  <publisher>University Microfilms</publisher>
  <year>1968</year>
  <phys>xi, 257 leaves : ill., facsims., music</phys>
 </item>

 <item>
  <author>Elson, David</author>
  <item_title>Del's Dance Book</item_title>
  <place>Sydney</place>
  <publisher>Privately published</publisher>
  <year>1993</year>
  <annotations>
   <annotation author="Del (D.Elson)">
    Yet another SCA dance book, this covers the dances currently
    being done in Lochac (Australia). Re-issued on a semi-regular basis.
   </annotation>
   <annotation>
    http://www.sca.org.au/del/ddb/
    Online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Elyot, Sir Thomas</author>
  <item_title>The Boke Named the Governor</item_title>
  <edition>
   <editor>S. E. Lehmberg</editor>
   <original>1531</original>
  <!-- oirg place London -->
   <reprint />
  </edition>
  <place>Menston, England</place>
  <publisher>The Scolar Press</publisher>
  <year>1970</year>
  <annotations>
   <annotation author="Matt Larsen">
    Chapters 19 through 25 deal with dancing. The chapters which
    discuss dancing are interesting, although not of direct use in
    reconstructing choreographies. No specific choreographies are
    given, nor is any music included. What is given, however, is
    information about how dances were done in England at this time. It is
    fairly clear that the dances were basically similar, if not identical
    to those which were done in France and Burgundy at this time. We can
    also glean some style information, so this source is more useful to
    those working on how the steps were performed than it is to those who
    are interested only in specific reconstructions.
   </annotation>
   <annotation>
    Online version
    http://www.hti.umich.edu/bin/pd-idx?type=header"idno=ElyotGover
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Engle, Ian</author> <!-- (SCA pseud. Sion Andreas o Wynedd). -->
  <item_title>Syon Park: A Country Dance For Two Couples</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>13</issue>
  <year>1992</year>
  <pages>8-9</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    An invented variant of Hyde Park (from Playford), designed for two couples.
   </annotation>
  </annotations>

 </item>
 <item>
  <author>Engle, Ian</author> <!-- (SCA pseud. Sion Andreas o Wynedd). -->
  <item_title>Book Review: The Playford Ball</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>13</issue>
  <year>1992</year>
  <pages>10</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    An examination of a good source on English Country dance.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Engle, Ian</author> <!-- (SCA pseud. Sion Andreas o Wynedd). -->
  <item_title>Saltarello, Saltarello, Come Si Fa Il Saltarello;
    Or, Can We Hop Yet?</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>13</issue>
  <pages>12-14</pages>
  <year>1992</year>
  <annotations>
   <annotation author="Justin du Coeur">
    A short discussion of the various reconstructions of the saltarello
    step that are often seen today.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Engle, Ian</author> <!-- (SCA pseud. Sion Andreas o Wynedd). -->
  <item_title>Melody Line For Leggiadria D'Amore</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>14</issue>
  <year>1992</year>
  <pages>9</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    The melody for the dance reconstructed in issue 11, transcribed from Caroso.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Engle, Ian</author> <!-- (SCA pseud. Sion Andreas o Wynedd). -->
  <item_title>Using the Pieces-Parts to Make the Chicken; Or, Just What
	Should Dancemasters Be Teaching?</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>14</issue>
  <year>1992</year>
  <pages>7-10</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A brief discussion on the teaching of dance, and particularly
    the Caroso/Negri repertoire, focusing on whether one should
    concentrate on teaching dances or teaching the step units.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Engle, Ian</author> <!-- (SCA pseud. Sion Andreas o Wynedd). -->
  <item_title>A Partial Bibliography of Periodical Articles Relating to
	SCA Period Dance, Part 1</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <volume>
  </volume>
  <issue>15</issue>
  <year>1992</year>
  <pages>14-15</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    The first half of a listing of relevant articles, mostly in the music
    journals of various countries.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Engle, Ian</author> <!-- (SCA pseud. Sion Andreas o Wynedd). -->
  <item_title>A Partial Bibliography of Periodical Articles Relating
	to SCA Period Dance, Part 2</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <volume>
  </volume>
  <issue>16</issue>
  <year>1993</year>
  <pages>24-29</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    The second half of a listing of relevant articles, mostly in the
    music journals of various countries.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Esquivel Navarro, Juan de</author>
  <item_title>Discursos Sobre El Arte Del Danzado</item_title>
  <place>Sevilla</place>
  <publisher>Juan Gomez de Blas</publisher>
  <year>1642</year>
  <annotations>
   <annotation author="Matt Larsen">
    This is a relatively short (about fifty pages) manual from the mid
    seventeenth century. It is of interest partly because it describes
    steps and dances which do not seem to appear elsewhere. Much of
    what is discussed seems to be galliard variations, which may have
    been local favorites.  It may also be that Navarro gives different
    names to steps which are described elsewhere. In any case, it is
    worthy of further research, although it is a little out of the SCA
    period (still, if we are using Playford, which is first published
    almost ten years after this, I think this is justified).
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Esquivel Navarro, Juan de</author>
  <item_title>Discursos Sobre El Arte Del Danzado</item_title>
  <place>Madrid</place>
  <publisher>Asociación de Libreros y Amigos del Libro</publisher>
  <year>1947</year>
  <edition>
   <original>1642</original>
   <reprint />
  </edition>
 </item>

 <item>
  <author>Evaine ferch Brangwen (SCA pseud.) </author>
  <additional_authors>Salaamallah the Corpulent (SCA pseud.)</additional_authors>
  <item_title>Cruciform Double Dargason</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <volume>
  </volume>
  <issue>13</issue>
  <year>1992</year>
  <pages>8</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    It being the April issue, this is a slightly silly invention:
    a twist on Dargason, for two sets intersecting at the centers.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Faber, Steve</author> <!-- (SCA pseud. Shaul ben Yisrawael -->
  <item_title>Hole in the Wall: A Guide to Kidnapping</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <issue>3</issue>
  <year>1989</year>
  <item_type type="article" />
  <annotations>
   <annotation author="Justin du Coeur">
    A reconstruction of Hole in the Wall, from The English Dancing Master
    (1698 edition), with extensive discussion of the SCA practice of
    &quot;kidnapping&quot; or &quot;sharking&quot;, in which dancers switch
    partners during the course of the dance. Note that the reconstruction
    does not get into the details of the steps that would have been used
    in this period, but describes the dance as it is done today.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/recon/hitwkidnap.html
    Online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Feves, Angene</author>
  <item_title>Dances of a Noble Gathering</item_title>
  <place>Pleasant Hill, CA</place>
  <year>1985</year>
 </item>

 <item>
  <author>Feves, Angene</author>
  <item_title>Caroso's Patronesses</item_title>
  <item_type type="article" />
  <coll_title>Proceedings of the ninth annual conference of the Society
	of Dance History Scholars</coll_title>
  <pages>53-64</pages>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1986</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Information on five noble ladies and their families.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Feves, Angene</author>
  <item_title>Trying to Discover the Renaissance Dancing Body</item_title>
  <item_type type="article" />
  <coll_title>Dance Chronicle</coll_title>
  <volume>12</volume>
  <issue>3</issue>
  <year>1989</year>
  <pages>386</pages>
  <annotations>
   <annotation author="Ian Engle">
    Review of the Franko book.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Feves, Angene</author>
  <item_title>Fabritio Caroso and the Changing Shape of the Dance,
	1550-1600</item_title>
  <item_type type="article" />
  <coll_title>Dance Chronicle</coll_title>
  <volume>14</volume>
  <issue>2/3</issue>
  <year>1991</year>
  <pages>159</pages>
  <annotations>
   <annotation author="Ian Engle">
    Important article. Read!
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Feves, Angene</author>
  <additional_authors>Sandra Noll Hammond</additional_authors>
  <item_title>La Bacchante: Alternate Performance Styles</item_title>
  <item_type type="article" />
  <coll_title>Proceedings of the Sixth annual conference of the Society
	of Dance History Scholars</coll_title>
  <pages>179</pages>
  <place>Milwaukee, WI</place>
  <publisher>Dance History Scholars</publisher>
  <year>1983</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Introduction to a performance.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Flavy, Zoltan</author>
  <item_title>Middle-East European Court Music (11th-16th Centuries):
	A Preliminary Survey.</item_title>
  <item_type type="article" />
  <coll_title>Studia Musicologica</coll_title>
  <issue>29</issue>
  <year>1987</year>
 </item>

 <item>
  <author>Florio, John</author>
  <item_title>Queen Anna's New World of Words</item_title>
  <!-- orig publisher Printed by Melch, Bradwood for Edw. Blout and William Barret -->
  <!-- orig placeLondon -->
  <edition>
   <original>1611</original>
   <reprint />
  </edition>
  <publisher>The Scholar Press Limited</publisher>
  <place>Menston (England)</place>
  <year>1968</year>
  <annotations>
   <annotation author="Nathan Kronenfeld">
    An English/Italian dictionary from the period of several dance sources.
    Andrew Draskoy has entered in some relevent dance terms from this
    source at http://www.ucs.mun.ca/~andrew/rendance/florio.html.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Fojtik, K</author>
  <item_title>Musik, tanz und gesang in den Tschechischen urjunden des 16 jahrhunderts</item_title>
  <item_type type="article" />
  <coll_title>Studia Musicologica</coll_title>
  <issue>13</issue>
  <year>1971</year>
  <pages>101</pages>
 </item>

 <item>
  <author>Forrest, John</author>
  <item_title>Here We Go a Fossiling</item_title>
  <coll_title>Dance Research Journal</coll_title>
  <item_type type="article" />
  <issue>17</issue>
  <year>1985</year>
 </item>

 <item>
  <author>Forrest, John</author>
  <item_title>Morris and Matachin: A Study in Comparative Choreography</item_title>
  <coll_title>Centre For English Cultural Tradition and Language</coll_title>
  <volume>4</volume>
  <publisher>University of Sheffield</publisher>
  <year>1984</year>
  <annotations>
   <annotation author="John Forrest">
    The first version of this work was written before the microcomputer
    revolution and was an attempt to show how using a paper-and-pencil
    equivalent of a computer database one could use snippets of information
    on dances from primary sources to build up a &quot;profile&quot; of the
    dances for reconstructive or comparative purposes. The immediate point
    of this exercise was to demonstrate that morris dancing owed its
    chorographic character to courtly dances such as the matachin and not
    to some mythic ritual ancestor.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Fortenberry, Helen</author>
  <item_title>An Investigation of the Types and Forms of Dance Existing
	From 476 to 1500</item_title>
  <dissertation>Master's Thesis (Woman's College, University of North Carolina)</dissertation>
  <item_type type="dissertation" />
  <publisher>Microform Publications, University of Oregon</publisher>
  <year>1955</year>
  <phys>iv, 88 leaves : ill. ; 29 cm</phys>
 </item>

 <item>
  <author>Foster, Susan Leigh</author>
  <item_title>On Dancing and the Dance: Two Visions of Dance's History</item_title>
  <coll_title>Proceedings of the Sixth annual conference of the Society
	of Dance History Scholars</coll_title>
  <item_type type="article" />
  <pages>133-141</pages>
  <place>Milwaukee, WI</place>
  <publisher>Dance History Scholars</publisher>
  <year>1983</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Foster establishes some techniques for examining histories of the dance
    by analyzing two documents: John Weaver's Essay towards a History of
    Dance and Curt Sachs' World History of the Dance, 1937.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Francalanci, Andrea</author>
  <item_title>Una Stravaganza Dei Medici</item_title>
  <place>London</place>
  <publisher>Dance Books</publisher>
  <year>1992</year>
  <phys>VHS/PAL videocassette</phys>
  <annotations>
   <annotation author="Del (D.Elson)">
    This is a reconstruction of a 1589 Flotentine masque.  Currently only
    available in PAL format on VHS (for England, Australia, NZ, Europe
    except France), but well worth a look.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Frank, Priska</author>
  <item_title>A Coranto With a Diagram</item_title>
  <item_type type="article" />
  <coll_title>Historical Dance 2</coll_title>
  <volume>2</volume>
  <issue>3</issue>
  <year>1983</year>
  <pages>3-5</pages>
  <annotations>
   <annotation author="Andrew Draskoy">
    Discusses the two corantos with diagrams in the &quot;Ashmole
    manuscript&quot;, Oxford, Bodleian Library Rawl D. 864.  Includes
    photographs of pages on dancing. Should be read with D. R. Wilson's
    follow-up article.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Franko, Mark</author>
  <item_title>The Dancing Body in Renaissance Choreography (C. 1416-1589)</item_title>
  <place>Birmingham, AL</place>
  <publisher>Summa Publications</publisher>
  <year>1986</year>
  <annotations>
   <annotation author="Justin du Coeur">
    This book explores the motifs of motion found in the Renaissance,
    and tries to draw some conclusions about dance movement from them.
    Franko's writing style is extremely dense, making the book quite
    difficult to read, but he has some interesting things to say about the
    notion of movement as a form of communication. The book is very heavy
    on quotes; roughly a third of the text is quotes. Most quotes are given
    both in the original language and in English.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Franko, Mark</author>
  <item_title>Geometric Dance in French Court Ballet</item_title>
  <item_type type="article" />
  <coll_title>Proceedings of the ninth annual conference of the Society
	of Dance History Scholars</coll_title>
  <pages>13-30</pages>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1986</year>
 </item>

 <item>
  <author>Franko, Mark</author>
  <item_title>Repeatability, Reconstruction and Beyond</item_title>
  <item_type type="article" />
  <coll_title>Theatre Journal</coll_title>
  <issue>41</issue>
  <year>March 1989</year>
  <pages>56</pages>
  <annotations>
   <annotation author="Ian Engle">
    Of some little use for philosophy of reconstruction.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Gallo, F. Alberto</author>
  <item_title>Il &quot;Ballare Lombardo&quot; Circa 1435-1475</item_title>
  <item_type type="article" />
  <coll_title>Studi Muscali</coll_title>
  <issue>8</issue>
  <year>1979</year>
  <pages>61</pages>
 </item>

 <item>
  <author>Gallo, F. Alberto</author>
  <item_title>L'autobiographia Artistica Di Giovanni Ambrosio (Guglielmo Ebreo)
Da Pesaro</item_title>
  <item_type type="article" />
  <coll_title>Studi Muscali</coll_title>
  <issue>12</issue>
  <year>1983</year>
  <pages>189</pages>
 </item>

 <item>
  <author>Gallop, Rodney</author>
  <item_title>The Folk Music of Portugal, Parts 1 and 2</item_title>
  <item_type type="article" />
  <coll_title>Music and Letters</coll_title>
  <volume>
  </volume>
  <issue>14</issue>
  <year>1933</year>
  <pages>222 and 343</pages>
  <annotations>
   <annotation author="Ian Engle">
    Mentions dance tangentially; an interesting jump-off point for study.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Gingell, Jane</author>
  <item_title>Dances of 17th Century Spain</item_title>
  <item_type type="article" />
  <coll_title>Proceedings of the Fourteenth annual conference of the Society
	of Dance History Scholars</coll_title>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1991</year>
  <pages>165-177</pages>
 </item>

 <item>
  <author>Glass, Judy</author>
  <additional_authors>Ian Gatis</additional_authors>
  <item_title>What Did Prince Henry Do With His Feet on Sunday 19 August 1604</item_title>
  <item_type type="article" />
  <coll_title>Early Music</coll_title>
  <volume>
  </volume>
  <issue>14</issue>
  <year>1986</year>
  <pages>199</pages>
  <annotations>
   <annotation author="Ian Engle">
    Answer? We don't know, but what lengths we go to to make sure of this.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Goldschmidt, Stephen</author> <!-- (SCA pseud. Iulstan Sigewealding). -->
  <item_title>Heralds in Love</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>10</issue>
  <year>1991</year>
  <pages>8- 14</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A newly-invented English Country dance for 8. The dance is fairly basic,
    save for interlaced hey, a rather intriguing variant.  Melody line is
    included.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Greenebaum, David</author> <!-- SCA pseud. Bjalfi Thordharson -->
  <item_title>Instructions For &quot;Dargason&quot;</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>9</issue>
  <year>1991</year>
  <pages>1-7</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A reconstruction of the dance from the first edition of Playford;
    article is based on a reconstruction by Dr. Ingrid Brainard, as modified
    by Dr. Patri Pugliese.  An arrangement of the music, by Marshall Barron,
    is included. A facsimile of the original is included.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/recon/dargason.html
    Online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Grove, Sir George</author>
  <additional_authors>Eric Blom and Denis Stevens, eds.</additional_authors>
  <edition>
    <revision>5th ed.</revision>
  </edition>
  <item_title>Grove's Dictionary of Music and Musicians</item_title>
  <place>New York</place>
  <publisher>St. Martin's Press</publisher>
  <year>1964</year>
 </item>

 <item>
  <author>Guillard, Yves</author>
  <item_title>Early Scottish Reel Setting Steps and the Influence
	of the French Quadrille</item_title>
  <item_type type="article" />
  <coll_title>Dance Studies</coll_title>
  <issue>13</issue>
  <year>1989</year>
  <pages>9-109</pages>
  <annotations>
   <annotation author="Lizbeth Langston">
    Contents:
    - Part I The Reel Setting Steps in Scotland before the introduction
      of the French Quadrille
    - Part II The Reel Setting Steps in Scotland after the Introduction
      of the French Quadrille
    Focus is on the eighteenth and early nineteenth century.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Gwynedd Morgant O Cantref Mawr, pseud.</author>
  <item_title>Book Review: Arena's &quot;Rules For Dancing&quot;</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>13</issue>
  <year>1992</year>
  <pages>9-10</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A brief look at a lesser-known primary source.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Hagar the Black</author>
  <item_title>Dance Class 1, 2, &amp; 3</item_title>
  <extra>Out of Print</extra>
  <annotations>
   <annotation author="Del (D.Elson)">
    A list of SCA dances commonly done in the central West Kingdom.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Hardy, Camille</author>
  <item_title>Ballet Comique De La Reine: A Primer on Subtext
	and Symbol</item_title>
  <item_type type="article" />
  <coll_title>Proceedings of the Fifth annual conference of the
	Society of Dance History Scholars</coll_title>
  <coll_editor>Christena L. Schlundt</coll_editor>
  <pages>137-147</pages>
  <place>Cambridge, MA</place>
  <publisher>Dance History Scholars</publisher>
  <year>1982</year>
 </item>

 <item>
  <author>Harris-Warrick, Rebecca</author>
  <item_title>The Dancing Duchess of Burgundy: The Life of a Dance
	Enthusiast At the Court of Louis XIV</item_title>
  <item_type type="article" />
  <coll_title>Proceedings of the Twelfth annual conference of the Society
	of Dance History Scholars</coll_title>
  <pages>139</pages>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1987</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Abstract of a presentation.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Heaney, Michael</author>
  <additional_authors>John Forrest</additional_authors>
  <item_title>Annals of Early Morris</item_title>
  <publisher>Centre For English Cultural Tradition and Language Publications,
	University of Sheffield</publisher>
  <coll_title>Bibliographical and Special Series</coll_title>
  <volume>6</volume>
  <year>1991</year>
  <annotations>
   <annotation author="John Forrest">
    An indexed and annotated bibliography of all primary references to morris
    dancing in England from 1458 to 1750. Contains approximately 900 entries.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Heartz, Daniel</author>
  <item_title>The Basse Dance: Its Evolution Circa 1450 to 1550</item_title>
  <coll_title>Annales Musicologiques</coll_title>
  <item_type type="article" />
  <issue>6</issue>
  <year>1958-1963</year>
  <pages>287-340</pages>
 </item>

 <item>
  <author>Heartz, Daniel</author>
  <item_title>A 15th-Century Ballo: Rôti Bouilli Joyeux</item_title>
  <coll_title>Aspects of Medieval and Renaissance Music: A birthday offering
	to Gustave Reese</coll_title>
  <item_type type="article" />
  <coll_editor>Jan La Rue et al.</coll_editor>
  <pages>359-375</pages>
  <place>New York</place>
  <publisher>Norton</publisher>
  <year>1966</year>
 </item>

 <item>
  <author>Heartz, Daniel</author>
  <item_title>Hoftanz and Basse Dance</item_title>
  <item_type type="article" />
  <coll_title>JAMS</coll_title>
  <issue>19</issue>
  <year>1966</year>
  <pages>13-36</pages>
 </item>

 <item>
  <author>Henry, Susan G</author>
  <item_title>The Rose and Nefr Dance Manual</item_title>
  <publisher>Rose and Nefr Press</publisher>
  <year>[1988]</year>
  <annotations>
   <annotation author="Del (D.Elson)">
    One of the better in-print general dance manuals for SCA dance.
    This does not attempt to exclusively cover period dance, however.
    A number of the dances included are SCA inventions, and the book
    focusses heavily on English Country, contains very few Italian
    rennaissance dances, and omits completely any study of the 15th C
    Basse Danse from Burgundy or Italy.
   </annotation>
   <annotation author="Justin du Coeur">
    There are two tapes accompanying the book, which contain danceable
    (if not always lovely) recordings of all of the dances contained
    therein. Also, while the book does contain some non-period dances,
    it is pretty honest about them: there is a &quot;Dances that aren't
    period&quot; section at the end for the SCA dancs that really have
    no connection to period, and it often (although not always)
    acknowledges the dances that are a bit borderline. In general, it
    accomplishes what it set out to do:  document SCA dances. I
    wouldn't recommend it to the researcher, but it's an excellent
    place to start if you're just interested in learning some period
    dances as generally done today in the SCA.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Hoerburger, Felix</author>
  <item_title>Dance and Dance Music of the 16th Century
	and Their Relations to Folk Dance and Folk Music</item_title>
  <item_type type="article" />
  <coll_title>Studia Musicologica</coll_title>
  <issue>7</issue>
  <year>1965</year>
  <pages>79</pages>
 </item>

 <item>
  <author>Hooton, Marilyn</author>
  <item_title>Music and Dance in Elizabethan Life</item_title>
  <coll_title>The American Recorder</coll_title>
  <item_type type="article" />
  <issue>15</issue>
  <year>November 1974</year>
  <pages>188</pages>
 </item>

 <item>
  <author>Horst, Louis</author>
  <item_title>Pre-Classic Dance Forms</item_title>
  <place>Princeton</place>
  <publisher>Dance Horizons</publisher>
  <year>1987</year>
  <edition>
   <original>1937</original>
   <!-- orig publisher The Dance Observer -->
   <!-- orig place New York -->
   <reprint />
  </edition>
  <annotations>
   <annotation author="Justin du Coeur">
    This is a very light overview of a number of dance forms predating
    modern ballet. It is fairly slim (140 pages), and heavy on pictures
    and music, so it only spends a few pages on each form. Roughly half the
    book is arguably related to the Renaissance -- out of 13 chapters, it
    has sections on the pavan, galliard, allemande, courante, sarabande,
    gigue, and gavotte. It's not much use for serious research, but might
    be useful for quickly showing some of the major dance forms of the
    period.  (The rest of the book is all Baroque forms.) The book was
    intended as a textbook, and is very easy reading.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Ingber, Judith Brin</author>
  <item_title>Seeing Israeli and Jewish Dance</item_title>
  <year>2011</year>
  <publisher>Wane State University Press</publisher>
 </item>

 <item>
  <item_title>Jewish Wedding Dances of Europe During the Middle Ages and
	Renaissance</item_title>
  <coll_title>Proceedings of the Fifth annual conference of the
	Society of Dance History Scholars</coll_title>
  <coll_editor>Christena L. Schlundt</coll_editor>
  <item_type type="article" />
  <pages>69-77</pages>
  <place>Cambridge, MA</place>
  <publisher>Dance History Scholars</publisher>
  <year>1982</year>
 </item>

 <item>
  <item_title>Sephardic Dance: A Lecture Demonstration</item_title>
  <coll_title>Proceedings of the Fourteenth annual conference of the Society
	of Dance History Scholars</coll_title>
  <item_type type="article" />
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1991</year>
  <pages>195-213</pages>
 </item>

 <item>
  <author>Inglehearn, Madeleine</author>
  <item_title>15th Century Dances From Burgundy and Italy</item_title>
  <place>Witham, Essex, England</place>
  <publisher>Companie of Dansers</publisher>
  <year>1983</year>
 </item>

 <item>
  <author>Inglehearn, Madeleine</author>
  <item_title>Swedish Sword Dances in the Sixteenth and Seventeenth
	Centuries</item_title>
  <item_type type="article" />
  <coll_title>Early Music</coll_title>
  <issue>14</issue>
  <year>1986</year>
  <pages>367</pages>
 </item>

 <item>
  <author>Inglehearn, Madeleine</author>
  <additional_authors>Peggy Forsyth</additional_authors>
  <item_title>A Little-Known Fifteenth-Century Italian Dance Treatise</item_title>
  <item_type type="article" />
  <coll_title>Music Review</coll_title>
  <issue>42</issue>
  <year>1981</year>
  <pages>174-181</pages>
 </item>

 <item>
  <author>Inglehearn, Madeleine</author>
  <additional_authors>Martin Pope</additional_authors>
  <item_title>Ten Dances From Sixteenth Century Italy</item_title>
  <place>Witham, Essex, England</place>
  <publisher>Companie of Dansers</publisher>
  <year>1983</year>
 </item>

 <item>
  <author>Jackson, Naomi</author>
  <item_title>The Role of America in the Jacobean Masque: Performed Ethnography
	and the Exploration of Self-Transformation in the English
	Renaissance</item_title>
  <coll_title>Proceedings of the Fifteenth annual conference of the Society
	of Dance History Scholars</coll_title>
  <item_type type="article" />
  <pages>69-76</pages>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1991</year>
 </item>

 <item>
  <author>Jeppesen, Knud, ed.</author>
  <item_title>Balli Antichi Veneziani [Old Venetian Dances]</item_title>
  <place>Copenhagen</place>
  <publisher>Wilhelm Hansen</publisher>
  <year>1962</year>
 </item>

 <item>
  <author>Jones, Pamela Anne</author>
  <item_title>Spectacle in Milan: Cesare Negri's Torch Dances</item_title>
  <item_type type="article" />
  <coll_title>Early Music</coll_title>
  <issue>14</issue>
  <year>1986</year>
  <pages>182</pages>
 </item>

 <item>
  <author>Jones, Pamela Anne</author>
  <item_title>The Relation Between Music and Dance in Cesare Negri's
	&quot;Le Gratie D'Amore&quot; 1602, Vol. 1 &amp; 2</item_title>
  <dissertation>dissertation (University of London, King's College)</dissertation>
  <item_type type="dissertation" />
  <publisher>UMI</publisher>
  <year>1989</year>
 </item>

 <item>
  <author>Jones, Pamela</author>
  <additional_authors>Ingrid Brainard</additional_authors>
  <item_title>Comparative Reconstruction: &quot;Ardente Sole&quot; From
	 Caroso's Il Ballarino, 1581</item_title>
  <coll_title>Proceedings of the Eighth annual conference of the Society
	of Dance History Scholars</coll_title>
  <item_type type="article" />
  <pages>189-198</pages>
  <publisher>Dance History Scholars</publisher>
  <year>1985</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Major difference is how each reconstructor fits steps to the music:
    Brainard correlated as one bar of music to each semi-breve (whole
    note) step, a 1:1 ratio, while Jones correlated steps to music in a
    2:1 ratio: two bars of music to each semibreve step. Overall
    conclusion was &quot;that in dances with ambiguous or corrupt
    texts, there is often more than one plausible and intelligent
    solution to the problems of reconstruction.&quot; Includes
    Labanotation of Jones' version.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Keel, James Frederick</author>
  <item_title>Music in the Time of Queen Elizabeth</item_title>
  <!-- . Half-Title: Privately Printed Opuscula Issued to Members
	 of the Sette of Odd Volumes.  No. LXVIII. -->
  <place>London</place>
  <publisher>privately published</publisher>
  <year>1914</year>
  <phys>3 p.l., 9-59, m1y p. front., plates. 15 x 12 cm</phys>
 </item>

 <item>
  <author>Keller, Kate Van Winkle</author>
  <item_title>Playford, Feuillet, and Apple II: New Techniques of Indexing
	 Music</item_title>
  <coll_title>In Proceedings of the Fifth annual conference of the Society
	of Dance History Scholars</coll_title>
  <coll_editor>Christena L. Schlundt</coll_editor>
  <item_type type="article" />
  <pages>28-34</pages>
  <place>Cambridge, MA</place>
  <publisher>Dance History Scholars</publisher>
  <year>1982</year>
 </item>

 <item>
  <author>Keller, Kate Van Winkle</author>
  <additional_authors>Genevieve Shimer</additional_authors>
  <item_title>The Playford Ball</item_title>
  <publisher>The Country Dance and Song Society</publisher>
  <year>1990</year>
  <extra>ISBN: 1- 55652-091-3</extra>
  <annotations>
   <annotation author="Dennis Sherman">
    A very nice compilation of 103 dances from various editions of Playford.
    Includes facsimile of the original, modern redaction, melody line, and
    original source of dance and music for each selection.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Keller, Kate Van Winkle</author>
  <additional_authors>Genevieve Shimer</additional_authors>
  <item_title>The Playford Ball: 103 Early Country Dances 1651- 1820 As
	Interpreted By Cecil Sharp and His Followers</item_title>
  <coll_title>Studies in Dance History</coll_title>
  <volume>1</volume>
  <issue>2</issue>
  <annotations>
   <annotation author="Ian Engle">
    Same text as the book of the same name.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Kemp, Walter</author>
  <item_title>&quot;Votre Trey Dowce:&quot; A Duo For Dancing</item_title>
  <item_type type="article" />
  <coll_title>Music and Letters</coll_title>
  <issue>60</issue>
  <year>1979</year>
  <pages>37</pages>
  <annotations>
   <annotation author="Ian Engle">
    Was this a basse danse from the court of Henry VII?
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Kendal, Gerhard, pseud.</author>
  <item_title>Recording/Instruction Review</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <volume>
  </volume>
  <issue>9</issue>
  <year>1991</year>
  <pages>16-17</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A brief informal review of two dance tapes with instruction booklets
    (&quot;Popular Dances of the Renaissance&quot; by Judith Kennedy and
    &quot;Hit and Misse&quot; by the Passamezzo Players and Dale Hyde), and
    a brief discussion of Cecil Sharp's &quot;Country Dance Book&quot;.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/about/2reviews.html
    Online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Negri, Cesare</author>
  <item_title>&quot;Le Gratie D'amore&quot; 1602
	By Cesare Negri: Translation and Commentary</item_title>
  <dissertation>dissertation (Stanford University)</dissertation>
  <item_type type="dissertation" />
  <edition>
   <editor>Kendall, Gustavia Yvonne, trans.</editor>
   <original>1602</original>
  </edition>
  <year>1985</year>
  <publisher>University Microfilms International</publisher>
  <annotations>
   <annotation author="Matt Larsen">
    Kendall's translation is a very valuable volume, since it offers both
    a facsimile of the original and a translation. Thus, when reconstructing
    a dance, it is easy to refer to the original at any point, but the work
    is also accessible to those who don't know Italian. The translation is
    not completely reliable, however, and some reference to the facsimile
    should be made.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Kendall, Gustavia Yvonne</author>
  <item_title>Rhythm, Meter, and Tactus in 16th-Century Italian Court
	Dance: Reconstruction from a Theoretical Base</item_title>
  <coll_title>Dance Research</coll_title>
  <item_type type="article" />
  <volume>8</volume>
  <issue>1</issue>
  <year>Spring 1990</year>
  <pages>3-27</pages>
 </item>

 <item>
  <author>Kesckes, Andras</author>
  <item_title>Fresh Data to 16th Century Dance-Music (Almande De Vngrie)</item_title>
  <item_type type="article" />
  <coll_title>Studia Musicologica</coll_title>
  <issue>17</issue>
  <year>1975</year>
  <pages>283</pages>
 </item>

 <item>
  <author>Kinkeldey, Otto</author>
  <item_title>Dance Tunes of the Fifteenth Century</item_title>
  <coll_title>Instrumental Music: A conference at Isham memorial Library</coll_title>
  <coll_editor>D. G. Hughes</coll_editor>
  <pages>3-30 and 89-152</pages>
  <place>Cambridge, MA</place>
  <publisher>Harvard University Press</publisher>
  <year>1959</year>
 </item>

 <item>
  <author>Kinkeldey, Otto</author>
  <item_title>A Jewish Dancing Master of the Renaissance: Guglielmo Ebreo</item_title>
  <place>Brooklyn</place>
  <publisher>Dance Horizons</publisher>
  <year>1966</year>
  <phys>44 p. illus., facsim. 21 cm</phys>
 </item>

 <item>
  <author>Kirstein, Lincoln</author>
  <item_title>Dance: A Short History of Classic Theatrical Dancing</item_title>
  <!-- orig publisher G. P. Putnam's Sons -->
  <!-- orig place New York -->
  <edition>
   <original>1935</original>
   <reprint />
  </edition>
  <place>Princeton</place>
  <publisher>Dance Horizons</publisher>
  <year>1987</year>
  <annotations>
   <annotation author="Justin du Coeur">
    This book is a broad overview of the history of dance, with a
    particular focus on theatrical and performance dance. It covers all
    periods, from primitive dance up through relatively modern ballet
    forms, spending several chapters (some 80 pages or so) on the
    medieval and reanaissance periods. It says very little about actual
    choreography, but has some intriguing discussion of dance
    performance, and the environment in which these dances were
    performed.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Krajewski, Richard</author>
  <additional_authors>Meaghan Waters</additional_authors>
  <item_title>A Collection of Dances Performed in Lochac and Their Most
	Often Used and Generally Known Tabulations</item_title>
  <extra>Out of print</extra>
  <year>1985</year>
  <annotations>
   <annotation author="Del (D.Elson)">
    A book describing some of the dances performed by SCA groups in
    Australia at the time.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Kronenfeld, Nathan</author> <!-- (SCA pseud. Daniele di Padola-->
  <item_title>Burgundian Basse Dance: A Reconstruction of the Brussels
	MS.</item_title>
  <coll_title> The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>16</issue>
  <year>1993</year>
  <pages>2-24</pages>
  <annotations>
   <annotation>
    Includes a tabulation of the choreographies of the Brussels MS, with notes.
   </annotation>
   <annotation author="Justin du Coeur">
    A detailed examination of the Burgundian Basse Dance, based on a
    reconstruction worked up by the Carolingian Accademia della Danza
    (the Boston-area SCA dance research group). This reconstruction is
    deliberately based on one specific source -- the Brussels MS. Other
    sources (especially Toulouze) were considered during the reconstruction
    process, but the focus was intentionally on reconstructing the style
    as literally as possible from this specific source. Includes a dense
    tabulation of all choreographies from Brussels and Toulouze, and some
    brief statistical analysis of the style. Includes a few sample melody
    lines, and one new arrangement of Basse Alenchon.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Kronenfeld, Nathan</author> <!-- (SCA pseud. Daniel of Falling Rocks) -->
  <additional_authors>Sue Gill</additional_authors>
  <item_title>The Brussels Manuscript: Transcription and
	Translation</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>14</issue>
  <year>1992</year>
  <pages>1-7</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    As the title implies: a transcription and translation of the introduction
    to the Brussels MS, one of the sources for the French Basse Danse.
    Includes comments on the differences between Brussels and Toulouze,
    a very similar source.  Commentary by the authors in issue 16.
    Includes sample facsimiles.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Kurti, Laszlo</author>
  <item_title>The Ungaresca and Heyduck Music and Dance Tradition of
	Renaissance Europe</item_title>
  <coll_title>Sixteenth Century Journal</coll_title>
  <item_type type="article" />
  <volume>14</volume>
  <issue>1</issue>
  <year>1983</year>
  <pages>63</pages>
  <annotations>
   <annotation author="Ian Engle">
    Good article on Hungarian dance.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Laban, Juana de, ed.</author>
  <item_title>Institute of Court Dances of the Renaissance and Baroque
	 Periods</item_title>
  <place>New York</place>
  <publisher>Committee on Research in Dance</publisher>
  <year>1972</year>
 </item>

 <item>
  <author>Langston, Ann Lizbeth</author> <!-- SCA pseud. Lizbeth Ravensholm). -->
  <item_title>Italian Gagliarda Dance Movement in Four Dances From Cesare
	Negri's Le Gratie D'amore (1602)</item_title>
  <dissertation>Master's Thesis (University of California, Riverside)</dissertation>
  <item_type type="dissertation" />
  <year>1988</year>
  <annotations>
   <annotation>
    Abstract: This thesis focuses on the Late-Renaissance Italian
    gagliarda dance type as a component of a dance suite within the
    context of choreographic descriptions in Cesare Negri's Le Gratie
    d'Amore (1602). Definitive materials for reconstruction of two dances,
    &quot;Bassa Gioiosa&quot; and &quot;Laura Gentile,&quot; are derived
    from full execution in a studio situation. Preparatory materials for
    reconstruction are presented drawn from the detailed analytical study
    of two other dances, &quot;La Fedelta' d'Amore&quot; and &quot;La
    Galleria d'Amore.&quot;

    Negri provides rules for proper performance of step-units used
    in the duple-meter and triple-meter sections of dance suites.
    To better understand the step-units performed in the dances, Negri's
    descriptions of the component step-units were interpreted in Labanotation
    and word notes. Thus, each detailed interpretation of a step-
    unit is offered here as one possible and very specific suggestion
    for use in interpretation of the choreographic descriptions in
    Le Gratie d'Amore.
   </annotation>
   <!-- broke into two to fit annotation into 2000 char. limit -->
   <annotation author="Lizbeth Langston">
    According to Negri, two step-units are considered the basis of
    all cinque-passi variations, the cinque-passi in gagliarda and
    the cinque-battute di campanella. Though several other dancing
    masters describe the cinque-passi, Negri is the only master to
    describe the campanella as a separate and important step-unit.
    Examination of variations whithin choreographic descriptions reveals
    that most are mixtures of the two basic types, the cinque- passi
    and the campanella, rather than elaborations of one or the other.

    Three of the four dances analyzed (&quot;Bassa Gioiosa,&quot;
    &quot;La Fedelta' d'Amore&quot; and &quot;La Galleria
    d'Amore&quot;) contain cinque-passi step-units and variations on
    the basic cinque-passi, while in the fourth (&quot;Laura
    Gentile,&quot;) seguiti ordinarii replace the cinque-passi
    step-units. The cinq-pas documented in Orchesographie, by Thoinot
    Arbeau, is the most similar step-unit to Negri's cinque- passi.
    The basic cinque-passi step-unit from the two manuals of Fabritio
    Caroso, Il Ballarino and Nobiltà di Dame, is different from
    that of Negri and Arbeau, for his description specifies a more complex
    set of movements with fewer aerial steps.  Descriptions of cinque-passi
    step-units in the works of the less well-known masters, Prosper Luti
    di Sulmona and Lodovico Iacobilli, are similar to those of Caroso.
   </annotation>
   <annotation author="Lizbeth Langston">
    For a dance reconstructor, this thesis is most useful for the
    interpretations of step-units given in Labanotation and word-notes.
    I have notated all Negri's basic gagliarda step-units and most of the
    other step-units given in his Rules, but not the various gagliarda
    variations he enumerates in the second treatise.

    The dance reconstructions are less useful. I have corrected errors
    and changed my thinking on all the dances I reconstructed. I have
    changed the figures radically. I have also reinterpreted the proper
    performance of the gagliarda variations. I still stand by the
    translations, but the dance scores contain some errors, and the
    figures are all incorrect. Therefore, since my interpretations
    of these dances &quot;sono mal fatto,&quot; I do not recommend
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Langston, Ann Lizbeth</author> <!-- SCA pseud. Lizbeth Ravensholm). -->
  <item_title>&quot;I Will Give You Joy&quot;, A Basse Dance From Arbeau</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <volume>
  </volume>
  <issue>11</issue>
  <year>1991</year>
  <pages>1-6</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A reconstruction of Arbeau's best-known basse dance, with some
    speculations on what the reprise should look like. Music in issue 12.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Matt Larson</author>
  <item_title>Period Dance Sources: An Annotated Bibliography, Part I</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>1</issue>
  <year>1989</year>
  <annotations>
   <annotation author="Justin du Coeur">
    The first part of a complete annotated bibiliography of known period dance
    sources. (&quot;Period&quot; refers to the SCA's period, running up to
    approximately 1650.)
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Matt Larson</author>
  <item_title>Period Dance Sources: Part II</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>2</issue>
  <year>1989</year>
  <annotations>
   <annotation author="Justin du Coeur">
    Part two of the Period Source Bibliography. Covers
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Matt Larson</author>
  <item_title>Primary Dance Sources: Part III</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>3</issue>
  <year>1989</year>
  <annotations>
   <annotation author="Justin du Coeur">
    A continuation of the period dance source bibliography.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Matt Larson</author>
  <item_title>Primary Dance Sources: Part IV</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>4</issue>
  <year>1990</year>
  <annotations>
   <annotation author="Justin du Coeur">
    The fourth section of the period dance source
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Matt Larson</author>
  <item_title>Primary Dance Sources: Part V</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>5</issue>
  <year>1990</year>
  <annotations>
   <annotation author="Justin du Coeur">
    The final part of the period dance source bibliography.
    Covers 15th century Spanish and German sources, and 16th century
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Matt Larson</author>
  <item_title>Primary Dance Sources: An Annotated Bibliography</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <year>1990</year>
  <annotations>
   <annotation author="Justin du Coeur">
    As the title implies, a bibliography of every textual dance source
    known to the author, for the period 1400-1651.  Collects the
    bibliography serialized in Issues 1-5 of The Letter of Dance. Available
    as a pamphlet from The Letter of Dance. Largely subsumed into the
    electronic bibliography.
   </annotation>
   <annotation>
	http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/biblio.html
    Online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Matt Larson</author>
  <item_title>A Translation of &quot;S'ensuyvent Plusieurs Basse Dances
	Tant Communes Que Incommunes&quot; By Jacques Moderne</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>10</issue>
  <year>1991</year>
  <pages>4-8</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    As the title says -- a translation of the introduction this source.
    No choreographies.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Matt Larson</author>
  <item_title>Mutanze: A Series of Articles on Galliard Variations; Part 1</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>11</issue>
  <year>1991</year>
  <pages>6-9</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    An introduction to the series and the notations it uses, and the first
    installment: an examination of the fioretto, as used by Caroso and Negri.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Matt Larson</author>
  <item_title>Mutanze: A Series of Articles on Galliard Variations; Part 2</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>12</issue>
  <year>1992</year>
  <pages>11-12</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A reconstruction of the campanella step, as described Caroso and Negri.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Matt Larson</author>
  <item_title>Mutanze: A Series of Articles on Galliard Variations; Part 3</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <volume>
  </volume>
  <issue>13</issue>
  <year>1992</year>
  <pages>3-6</pages>
   <annotations>
    <annotation author="Justin du Coeur">
     Reconstructs the &quot;hopped fioretto&quot; and the &quot;gettando
     la gamba&quot;, a couple of un-named variations.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Matt Larson</author>
  <item_title>on Galliard Variations; Part 4</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <volume>
  </volume>
  <issue>13</issue>
  <year>1992</year>
  <pages>6-7</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    Discusses some &quot;meta-issues&quot;, such as which foot to start on,
    and how to choose variations on the
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>Mutanze: A Series of Articles on Galliard Variations; Part 5</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <volume>
  </volume>
  <issue>14</issue>
  <year>1992</year>
  <pages>10-12</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    Describes the sottopiede, as described by
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>Mutanze: A Series of Articles on Galliard Variations; Part 6</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <volume>
  </volume>
  <issue>16</issue>
  <year>1993</year>
  <pages>29-31</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    Describes the Groppo, and a full-length variation sequence from Caroso.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Lauze, Francois de</author>
  <item_title>Apologie De La Danse</item_title>
  <edition>
   <editor>Joan Wildeblood, trans.</editor>
   <original>1623</original>
  </edition>
  <place>London</place>
  <publisher>Frederick Muller Ltd.</publisher>
  <year>1952</year>
  <annotations>
   <annotation>See entry of original for comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Lauze, Francois de</author>
  <item_title>Apologie De La Danse</item_title>
  <edition>
   <original>1623</original>
   <reprint />
  </edition>
  <place>Geneva</place>
  <publisher>Minkoff</publisher>
  <year>1977</year>
  <annotations>
   <annotation author="Matt Larsen">
    This manual describes in great detail a number of the dances
    popular in the early seventeenth century, including the courante,
    several different bransles, the galliard, as well as a few words on the
    gavotte. One interesting feature is that the work is composed of two
    separate manuals, one for gentlemen, and the other for ladies. To the
    best of my knowledge, this is the first dance manual which indicates
    that the man is doing steps (other than the bow) which are
    significantly different from those which the woman is doing. The manual
    is dedicated to George Villiers, then Marquis of Buckingham. The
    descriptions are probably meant to discuss the same movements which
    Arbeau and others describe (de Lauze actually refers the reader to
    Arbeau in one instance), but de Lauze's descriptions are so detailed
    and involved that it is difficult to understand what he is trying to
    get across. Thus, while this is a valuable work, it is very difficult
    to make definitive interpretations of the descriptions.  One cannot
    help but feel, however, that careful reading of the manual and much
    work would yield some very valuable insights.  In short, this manual
    offers a lot of promise, but ought not to be tackled unless one is
    willing to exert a great deal of effort.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Lawrence W. J</author>
  <item_title>Notes on a Collection of Masque Music</item_title>
  <item_type type="article" />
  <coll_title>Music and Letters</coll_title>
  <issue>3</issue>
  <year>1922</year>
  <pages>49</pages>
 </item>

 <item>
  <author>Lecin, Marla</author> <!-- (SCA pseud. Jessa d'Avondale). -->
  <item_title>Hearts Ease: Some Reconstruction Notes</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <volume>
  </volume>
  <issue>15</issue>
  <year>1992</year>
  <pages>1-4</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A discussion of how Hearts Ease is usually done, and whether this is quite
    as Playford intended it.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Leitner, Quirin von, ed.</author>
  <item_title>Freydal des Kaisers Maximilian I. Turniere und Mummereien
	 Herausgegeben... Vienna: 1800- 1882.</item_title>
  <annotations>
   <annotation author="John Forrest">
    A species of reproduction of the FREYDAL CODEX, a series of engravings
    of masqueraders, musicians and dancers commissioned by Maximillian I HRE.
    There are about 120 images in all, half of which are of dance and
    masquerade.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Lesure, Francois</author>
  <item_title>Dances Et Chansons a Danser Au Debut Du XVIe Siecle</item_title>
  <coll_title>Recuil De Travaux Offerts a M. Clovis Brunel II</coll_title>
  <pages>176-184</pages>
  <annotations>
   <annotation>
    Includes brief study of &quot;S'ensuyvent plusiers basses dances, tant
    communes que ..&quot; See entry of original for comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Little, Meredith</author>
  <item_title>Recent Research in European Dance 1400- 1800</item_title>
  <item_type type="article" />
  <coll_title>Early Music</coll_title>
  <volume>
  </volume>
  <issue>14</issue>
  <year>1986</year>
  <pages>4</pages>
 </item>

 <item>
  <author>Little, Meredith</author>
  <additional_authors>Carol G. Marsh</additional_authors>
  <item_title>La Danse Noble : An Inventory of Dances and Sources</item_title>
  <place>Williamstown, MA</place>
  <publisher>Broude Brothers</publisher>
  <year>1992</year>
 </item>

 <item>
  <author>Lupi da Carravagio, Livio</author>
  <item_title>Libro Di Gagliarda, Tordiglione, Passo E Mezzo, Cannarii
	E Passeggi...</item_title>
  <place>Palermo</place>
  <publisher>G.B. Maringo</publisher>
  <year>1607</year>
  <annotations>
   <annotation author="Matt Larsen">
    This is a lengthy volume (about 300 pages) discussing, as the title
    suggests, galliards, tordions, passo e mezzo and canaries. It opens
    with a short disscussion of steps and choreographies for two
    dances. The majority of the volume, however, is devoted to
    describing hundreds of short sequences of galliards, tordions, etc.
    These are apparently intended for use when one needed to
    &quot;invent&quot; a galliard or other variation. The reader would
    memorize and practice several passages from each section, so as to
    have them ready at need. It is difficult to imagine anyone
    memorizing all of the literally hundreds of variations offered
    here, but it is clear that no one would have been considered an
    accomplished dancer without knowing a few (or better yet, being
    able to invent them as needed). All in all, an interesting volume,
    but not as generally useful as either of Caroso's works or Negri's
    book.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Luti de Sulmona, Propero</author>
  <item_title>Opera Bellissima Nella Quale Si Contegono Multe Partite,
	Et Passeggidi Gagliarda ...</item_title>
  <place>Perugia</place>
  <year>1589</year>
  <annotations>
   <annotation author="Matt Larsen">
    This work is similar to that of Lupi, but much shorter.  The discussion
    of steps is a single page, speaking mostly about caprioles, and only some
    thirty-two variations are presented.  Only galliard variations are
    discussed.
   </annotation>
   <annotation>
    On line version: http://www.erols.com/eacain/dance/Lutii.html
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Major John M</author>
  <item_title>The Moralization of the Dance in Elyot's Governor</item_title>
  <item_type type="article" />
  <coll_title>Studies in the Renaissance</coll_title>
  <issue>8</issue>
  <year>1958</year>
  <pages>27</pages>
 </item>

 <item>
  <author>Mark, Jeffery</author>
  <item_title>The Jonsonian Masque</item_title>
  <item_type type="article" />
  <coll_title>Music and Letters</coll_title>
  <issue>3</issue>
  <year>1922</year>
  <pages>358</pages>
 </item>

 <item>
  <author>Marrocco, W. Thomas</author>
  <item_title>Music and Dance in Boccaccio's Time: Part One: Fact and
	Speculation</item_title>
  <item_type type="article" />
  <coll_title>Dance Research Journal</coll_title>
  <volume>10</volume>
  <issue>2</issue>
  <year>1978</year>
  <pages>19</pages>
 </item>

 <item>
  <author>Marrocco, W. Thomas</author>
  <item_title>Inventory of 15th Century Bassedanze, Balli &amp; Balletti
	 in Italian Dance Manuals</item_title>
  <coll_title>Dance Research Annual</coll_title>
  <issue>13</issue>
  <place>New York</place>
  <publisher>CORD</publisher>
  <year>1981</year>
  <phys>xiii, 109 p. : ill. ; 24 cm</phys>
 </item>

 <item>
  <item_title>Fifteenth Century Ballo and Bassadanza: A Survey</item_title>
  <item_type type="article" />
  <coll_title>Studi Muscali</coll_title>
  <issue>10</issue>
  <year>1981</year>
  <pages>31</pages>
 </item>

 <item>
  <author>Marrocco, William Thomas</author>
  <additional_authors>Marie-Laure Marveille</additional_authors>
  <item_title>Antonius Arena: Master of Law and Dance of the Renaissance</item_title>
  <item_type type="article" />
  <coll_title>Studi Muscali</coll_title>
  <issue>18</issue>
  <year>1989</year>
  <pages>19</pages>
 </item>

 <item>
  <author>Marsh, Carol</author>
  <item_title>Fishing For Basses: Finding Musical Concordances For English
	Country Dances</item_title>
  <coll_title>Proceedings of the Sixth annual conference of the Society
	 of Dance History Scholars</coll_title>
  <item_type type="article" />
  <pages>95-104</pages>
  <place>Milwaukee, WI</place>
  <publisher>Dance History Scholars</publisher>
  <year>1983</year>
 </item>

 <item>
  <author>Marsh, Carol</author>
  <item_title>French Court Dance in England, 1706-1740 : A Study
	 of the Sources</item_title>
  <dissertation>dissertation (City University of New York-1985)</dissertation>
  <item_type type="dissertation" />
  <year>1986</year>
  <publisher>UMI</publisher>
  <phys>ix, 354 leaves : ill., music, facsims. ; 29 cm</phys>
 </item>

 <item>
  <author>Martin, Gyorgy</author>
  <item_title>The Relationship Between Melodies and Dance Types
	in the Volume VI of Corpus Musicae Popularis Hungaricae</item_title>
  <item_type type="article" />
  <coll_title>Studia Musicologica</coll_title>
  <issue>14</issue>
  <year>1972</year>
  <pages>93</pages>
 </item>

 <item>
  <author>Martin, Gyorgy</author>
  <item_title>Die bransles von Arbeau und die osteuropaischen kettentanze</item_title>
  <item_type type="article" />
  <coll_title>Studia Musicologica</coll_title>
  <issue>15</issue>
  <year>1973</year>
  <pages>101</pages>
 </item>

 <item>
  <author>Martin, Gyorgy</author>
  <item_title>Weapon Dance Melodies and Rhythmic Multiplicity</item_title>
  <item_type type="article" />
  <coll_title>Studia Musicologica</coll_title>
  <issue>21</issue>
  <year>1979</year>
  <pages>79</pages>
 </item>

 <item>
  <author>Martin, Jennifer Kaye Lowe</author>
  <item_title>The English Dancing Master, 1660-1728 : His Role At Court,
	in Society and on the Public Stage</item_title>
  <dissertation>dissertation (University of Michigan)</dissertation>
  <item_type type="dissertation" />
  <publisher>UMI</publisher>
  <year>1977</year>
  <phys>iv, 167 leaves : ill. ; 21 cm</phys>
 </item>

 <item>
  <author>Mastrigli, Leopoldo</author>
  <item_title>Le Danze Storiche Dei Secoli XVI, XVII E XVIII</item_title>
  <coll_title>Bibliotheca Musica Bononiensis</coll_title>
  <volume>Sezione III</volume>
  <issue>81</issue>
  <place>Bologna</place>
  <publisher>Forni</publisher>
  <year>1969</year>
  <phys>62 p. 22 cm</phys>
 </item>

 <item>
  <author>Mazzi, Curzio</author>
  <item_title>Il libro dell'arte del danzare di Antonio Cornazanno</item_title>
  <coll_title>La Bibliofilia</coll_title>
  <item_type type="article" />
  <issue>Anno 17</issue>
  <year>1916</year>
  <pages>1-30</pages>
  <annotations>
   <annotation author="Andrew Draskoy">
    A transcription of Cornazano. It includes facsimilies of the diagrams and
    music. See entry of original for more comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Mazzi, Curzio</author>
  <item_title>Una sconosciuta compilazione di un libro quattrocentistico
	di balli</item_title>
  <coll_title>La Bibliofilia</coll_title>
  <item_type type="article" />
  <issue>16</issue>
  <year>1914- 1915</year>
  <pages>185-209</pages>
  <annotations>
   <annotation>
    This is a printing of Guglielmo Ebreo, Trattato della danza composto
    da Maestro Guglielmo Ed Parte .... See entry of original for comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>McGee, Timothy J</author>
  <item_title>Dancing Masters and the Medici Court in the
	Fifteenth Century</item_title>
  <item_type type="article" />
  <coll_title>Studi Muscali</coll_title>
  <volume>
  </volume>
  <issue>17</issue>
  <year>1988</year>
  <pages>201</pages>
  <annotations>
   <annotation author="Ian Engle">
    Includes several letters by Guglielmo
   </annotation>
  </annotations>
 </item>

 <item>
  <author>McGee, Timothy J</author>
  <item_title>Medieval Instrumental Dances</item_title>
  <publisher>Indiana University Press</publisher>
  <year>1989</year>
  <annotations>
   <annotation author="Justin du Coeur">
    This book is a little early, but useful for those who are experimenting
    with medieval dance. It is primarily a collection of all (?) the known
    medieval dance tunes, collected into one volume. The introductory sections
    have a few pages on what is known about the form of the dances, although
    the bulk is spent on discussing the music.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>McGee, Timothy J</author>
  <item_title>Medieval Dances: Matching the Repertory With Grocheio's
	Descriptions</item_title>
  <coll_title>Journal of Musicology</coll_title>
  <item_type type="article" />
  <issue>7</issue>
  <year>1989 Fall</year>
  <pages>498</pages>
  <annotations>
   <annotation author="Ian Engle">
    Notes on intrumental as well as vocal dance forms.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>McGowan, Margaret M</author>
  <item_title>L'art Du Ballet De Cour En France, 1581-1643</item_title>
  <place>Paris</place>
  <publisher>Centre national de la recherche scientifique</publisher>
  <year>1963</year>
  <phys>351 p., 12 leaves of plates : ill. ; 23 cm</phys>
 </item>

 <item>
  <author>Melica, Ada</author>
  <item_title>Guglielmo Ebreo Da Pesaro: Maestro Di Ballo Del Quatrocento</item_title>
  <item_type type="article" />
  <coll_title>Studia Musicologica</coll_title>
  <issue>29</issue>
  <year>1959</year>
  <pages>51</pages>
 </item>

 <item>
  <author>Meredith, Peter</author>
  <item_title>The Maner of Dauncynge</item_title>
  <place>Leeds</place>
  <publisher>The Audiovisual Service, The University of Leeds</publisher>
  <year>1980</year>
  <phys>1 videocassette (VHS; PAL) (25 min.) : sd., col. ; 1/2 in</phys>
 </item>

 <item>
  <author>Merritt, Meredith</author>
  <item_title>Dance Terms in Renaissance Dictionaries</item_title>
  <coll_title>Proceedings of the Eighth annual conference of the Society
   of Dance History Scholars</coll_title>
  <item_type type="article" />
  <pages>142-146</pages>
  <publisher>Dance History Scholars</publisher>
  <year>1985</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Discusses selected words from Florio (1598, 1611) and Cotgrave (1611).
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Meurs, Johannes van</author>
  <item_title>Ioannis Mevrsi Orchestra. Sive, De Saltationibvs Vetervm,
	Liber Singularis. Lvgdvni Batavorvm: ex officina Godefridi
	Basson, 1618.</item_title>
  <phys>4 p.l., 111 p. 21 cm</phys>
 </item>

 <item>
  <author>Meyer, Christine</author>
  <item_title>Musique Et Danse a Nuremberg Au Debut Du XVIe Siecle</item_title>
  <item_type type="article" />
  <coll_title>Revue De Musicologie</coll_title>
  <issue>67</issue>
  <year>1981</year>
  <pages>61</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    This is a transcription of the Nuremberg MS, plus a translation
    (into French, admittedly, but it's easier to find French readers than German
    ones). We've found the Nuremberg MS a useful disambiguator when working on
    the Domenico repertoire; he's much sketchier than Domenico, but he
    occasionally has a detail that Domenico does not. (For example, the use of
    &quot;leap&quot; where Domenico specifies &quot;movimento&quot;.)
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Meyer, P</author>
  <item_title>Role De Chansons a Danser Du XVI Siecle</item_title>
  <item_type type="article" />
  <coll_title>Romania</coll_title>
  <volume>
  </volume>
  <issue>23</issue>
  <year>1894</year>
  <pages>156-60</pages>
  <annotations>
   <annotation>
    Includes reprint of Mazzo 4, No. 14. See entry of original for comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Meylan, Raymond</author>
  <item_title>Recherche De Parentes Parmi Les Basse Danses Du Quinzieme Siecle</item_title>
  <item_type type="article" />
  <coll_title>Acta Musicologica</coll_title>
  <volume>38</volume>
  <issue>1</issue>
  <year>1966</year>
  <pages>46</pages>
 </item>

 <item>
  <author>Millar, John Fitzhugh</author>
  <item_title>Elizabethan Country Dances</item_title>
  <place>Williamsburg, VA</place>
  <publisher>Thirteen Colonies Press</publisher>
  <year>1985</year>
  <extra>ISBN: 0- 934943-00-1 PBK</extra>
  <annotations>
   <annotation author="Dennis Sherman">
    Compilation of country dances from various editions of Playford.
   </annotation>
   <annotation author="Lizbeth Langston">
    Highly inaccurate.  Some of the dances bear little relation to the
    original, with no warning that they are adaptations.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Moderne, Jacques, publ.</author>
  <!-- (author unknown). -->
  <item_title>S'ensuyvent Plusiers Basses Dances, Tant Communes Que
	Incommunes,Comme on Pourra Veoyr Cy Dedans</item_title>
  <edition>
   <reprint />
   <original>c. 1532-1533</original>
  </edition>
  <place>Geneve</place>
  <publisher>Minkoff</publisher>
  <year>1985</year>
 </item>

 <item>
  <author>Moderne, Jacques, publ.</author>
  <!-- (author unknown). -->
  <item_title>S'ensuyvent Plusiers Basses Dances, Tant Communes Que
	Incommunes,Comme on Pourra Veoyr Cy Dedans</item_title>
  <place>Lyon</place>
  <publisher>Jacques Moderne</publisher>
  <year>c. 1532-1533</year>
  <annotations>
   <annotation author="Matt Larsen">
    Only known copy in Paris, Bibliotheque Nationale (Coll.
    Rothschild, VI-3 bis-66, No. 19). Brief study and edition of the dances
    published by Francois Lesure. &quot;Dances et chansons a danser au
    debut du XVIe siecle.&quot; Recuil de travaux offerts a M. Clovis
    Brunel vol.  II, pp. 176-184. Includes a short discussion on steps and
    a list of 115 basse dances, although without the music. Many of the
    dances also appear in Brussels and Toulouze. The introduction given
    by Moderne is very similar to that given by Toulouze, and may have
    been a rewriting of it.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Moderne, Jacques, publ.</author>
  <additional_authors>Michael Toulouze, publ.</additional_authors>
  <!-- (author unknown). -->
  <item_title>Dossier Basses-Dances; S'Ensuit L'art Et Instruction De
	Bien Dancer and S'ensuyvent Plusieurs Basses Dances Tant Communes
	Qu'incommunes: Comme on Pourra Veoyr Cy Dedans. Paris; Lyon:
	J. Moderne, M. Toulouze, 1532;</item_title>
  <edition>
   <reprint />
   <original>1532</original>
  </edition>
  <place>Genève</place>
  <publisher>Minkoff</publisher>
  <year>1985</year>
  <extra>ISBN: 2- 8266-0532-1</extra>
  <annotations>
   <annotation author="Dennis Sherman">
    Facsimile edition, two basse-dance manuals bound together.
    See original of Moderne and Toulouze.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Monika z Gniezno, pseud.</author>
  <!-- (SCA pseud.). -->
  <item_title>Sources For Part Music</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>14</issue>
  <year>1992</year>
  <pages>12-13</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A listing of a few good sources for sheet music for period dance.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Montagut, B. de</author>
  <item_title>Lovange De La Dance</item_title>
  <year>c. 1623</year>
  <annotations>
   <annotation author="Matt Larsen">
    Ms. in London, British Museum (MS Royal 16E, 37-39). Unpublished.
    Like the manual by de Lauze, this describes early seventeenth
    century court dancing, in which one can see the beginnings of what
    will become baroque dance in the next century. It begins with a
    discussion of the &quot;principles&quot; of dance, continues with a
    section on the reverence, followed by detailed discussions of the
    courante, bransles and galliardes (with a specific section
    discussing the capriole). This work is similar in many ways to that
    of de Lauze, even being dedicated to the same gentleman, George
    Villiers, Marquis of Buckingham, who was apparently an avid dancer.
    Like de Lauze, Montagut also gives very detailed instructions, and
    like de Lauze, his instructions are difficult to follow.
    Nevertheless, they contain considerably more information on the
    courante than any other sources, and they go into considerable
    detail on the fine points of the dances they describe, which
    cannot be said of many other manuals of the time.
    </annotation>
  </annotations>
 </item>

 <item>
  <author>Morley, Thomas</author>
  <item_title>A Plaine and Easie Introduction to Practicall Musicke</item_title>
  <year>1952</year>
  <edition>
   <editor>R. Alec Harmon</editor>
   <original>1952</original>
  </edition>
  <place>New York</place>
  <publisher>W. W. Norton and Company</publisher>
 </item>

 <item>
  <author>Morley, Thomas</author>
  <item_title>A Plaine and Easie Introduction to Practicall Musicke</item_title>
  <year>1597</year>
  <annotations>
   <annotation author="Matt Larsen">
    This work is primarily a music text, but some comments
are offered on dance music. It is useful in the same way that Orchestra
is useful
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Mullally, Robert</author>
  <item_title>The Carole: A Study of a Medieval Dance</item_title>
  <year>2011</year>
  <publisher>Ashgate Publishing, Ltd.</publisher>
 </item>

 <item>
  <item_title>French Social Dances From Italy, 1528-9</item_title>
  <item_type type="article" />
  <coll_title>Music and Letters</coll_title>
  <volume>
  </volume>
  <issue>65</issue>
  <year>1984</year>
  <pages>41</pages>
  <annotations>
   <annotation author="Ian Engle">
    Interesting comments, especially on integrating dance into
feasts and other entertainments
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>Chancon De Carole</item_title>
  <item_type type="article" />
  <coll_title>Acta Musicologica</coll_title>
  <volume>
  </volume>
  <issue>58</issue>
  <year>1986</year>
  <pages>224</pages>
 </item>

 <item>
  <author>Negri, Cesare</author>
  <item_title>Le Gratie D'amore</item_title>
  <place>New York</place>
  <publisher>Broude Brothers</publisher>
  <year>1969</year>
  <edition>
   <reprint />
   <original>1602</original>
  </edition>
 </item>

 <item>
  <author>Negri, Cesare</author>
  <item_title>Le Gratie D'amore</item_title>
  <place>Milan</place>
  <year>1602</year>
  <annotations>
   <annotation author="Matt Larsen">
    Like the other Italian manuals of the sixteenth century, this is a
    large volume of long and very difficult dances. In particular this
    volume includes a long discussion on galliard variations, and gives
    many galliard steps, including steps used for the &quot;kick the
    tassel&quot; contest. It should be noted that Negri uses some of
    the same names as Caroso for what seem from the descriptions to be
    different steps, so one should use care when reconstructing a dance
    to use the appropriate steps. On average, the dances which Negri
    presents are more complicated than those which Caroso offers. That
    is, the simplest of Negri's dances is more complicated than the
    simplest of Caroso's; although the most difficult dances of each
    author are similar in complexity
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Negri, Cesare</author>
  <item_title>Nuove Inventioni Di Balli</item_title>
  <place>Milan</place>
  <year>1604</year>
  <annotations>
   <annotation author="Matt Larsen">
    This volume was a reprint of Negri's previous volume, Le gratie d'amore.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Nelson Historical Dance Society, publ.</author>
  <place>Nelson, England</place>
  <item_title>The Brando: A Sixteenth Century Dance Type</item_title>
 </item>

 <item>
  <author>Nelson Historical Dance Society, publ.</author>
  <place>Nelson, England</place>
  <item_title>Il Canario</item_title>
 </item>

 <item>
  <author>Nelson Historical Dance Society, publ.</author>
  <place>Nelson, England</place>
  <item_title>Dance With Giorgio</item_title>
 </item>

 <item>
  <author>Nelson Historical Dance Society, publ.</author>
  <place>Nelson, England</place>
  <item_title>Dance With Giorgio Un Altra Volta</item_title>
 </item>

 <item>
  <author>Nelson Historical Dance Society, publ.</author>
  <place>Nelson, England</place>
  <item_title>The Fifteenth Century Base Danze and Ballo</item_title>
 </item>

 <item>
  <author>Nelson Historical Dance Society, publ.</author>
  <place>Nelson, England</place>
  <item_title>Il Furioso</item_title>
  <annotations>
   <annotation author="Del (D.Elson)">
    A thorough description of the steps, timings, and floor patterns of
    Caroso's Furioso from Il Ballarino, and the three variations on it
    from Nobiltà di Dame.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Nelson Historical Dance Society, publ.</author>
  <place>Nelson, England</place>
  <item_title>A Study of Some Sixteenth Century Dances</item_title>
  <!-- I believe this is a reference to the following (NDK): -->
  <annotations>
   <annotation>See Pleydell for more information.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Nelson Historical Dance Society, publ.</author>
  <place>Nelson, England</place>
  <item_title>A Study of Two Fifteenth Century Dances</item_title>
 </item>

 <item>
  <author>Nelson Historical Dance Society, publ.</author>
  <place>Nelson, England</place>
  <item_title>Three More Sixteenth Century Dances</item_title>
  <!-- I believe this is a reference to the following (NDK): -->
  <annotations>
   <annotation>
    See Pleydell for more information.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Neville, Jennifer</author>
  <item_title>The Italian Ballo As Described in Fifteenth
	Century Dance Treatises</item_title>
  <item_type type="article" />
  <coll_title>Studies in Music</coll_title>
  <issue>18</issue>
  <year>1984</year>
  <pages>38</pages>
  <annotations>
   <annotation author="Ian Engle">
    Overview from Australia.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Newman, Joel</author>
  <item_title>Galliard Rhythms: A Study Outline</item_title>
 </item>

 <item>
  <author>O'Dette, Paul</author>
  <item_title>The Rhythmic Structure of Italian Galliards</item_title>
  <item_type type="article" />
  <coll_title>Journal of the Lute Society of America</coll_title>
  <issue>23</issue>
  <year>1988</year>
  <pages>6</pages>
 </item>

 <item>
  <author>Oberstein, Elizabeth</author>
  <item_title>The Merveilleux : An Aesthetic Approach to the Baroque Dance
	Spectacle</item_title>
  <dissertation>Master's Thesis (UCLA), 1972</dissertation>
  <item_type type="dissertation" />
 </item>

 <item>
  <author>Padovan, Maurizio</author>
  <item_title>De Dante a Leonardo: La Danza Italiana Attraverso Le Fonti
	Storiche</item_title>
  <item_type type="article" />
  <coll_title>La Danza Italiana</coll_title>
  <issue>3</issue>
  <year>1985</year>
  <pages>5-37</pages>
 </item>

 <item>
  <author>Padovan, Maurizio</author>
  <item_title>Guglielmo Ebreo da Pesaro e la danza nelle corti italiane
	del XV secolo : atti del Convegno internazionale di studi,
	 Pesaro 16/18 luglio 1987</item_title>
  <place>Pisa</place>
  <publisher>Pacini</publisher>
  <year>1990</year>
  <phys>343 p. : ill. ; 24 cm</phys>
 </item>

 <item>
  <author>Pescarelli, Beatrice</author>
  <item_title>Uno sconsciuta redazione del tratto di danza di Guglielmo Ebreo</item_title>
  <item_type type="article" />
  <coll_title>Rivista Italiana Di Musicologia</coll_title>
  <issue>9</issue>
  <year>1974</year>
  <pages>48</pages>
 </item>

 <item>
  <author>Peters, Kurt</author>
  <additional_authors>Fritz Feldmann and Karl Heinz Taubert</additional_authors>
  <item_title>Historische Tanze der musikalischen und choreographischen
	 Weltliteratur : von der Basse danse bis zum Menuett</item_title>
  <coll_title>Die Tanzarchiv-Reihe</coll_title>
  <issue>15/16</issue>
  <place>Overath bei Koln</place>
  <publisher>U. Steiner</publisher>
  <year>1987</year>
  <phys>44 p. : ill. ; 20 cm</phys>
 </item>

 <item>
  <author>Pforsich, Janis</author>
  <item_title>Folie D'Espagne: Theme and Variation in Baroque Dance</item_title>
  <coll_title>Proceedings of the Eighth annual conference of the Society
	of Dance History Scholars</coll_title>
  <item_type type="article" />
  <pages>47- 63</pages>
  <publisher>Dance History Scholars</publisher>
  <year>1985</year>
 </item>

 <item>
  <author>Phillips, Miriam S</author>
  <item_title>A Shared Technique/Shared Roots? A Comparison of Kathak
	and Flamenco Dance History</item_title>
  <coll_title>Proceedings of the Fourteenth annual conference of the Society
	of Dance History Scholars</coll_title>
  <item_type type="article" />
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1991</year>
  <pages>47-53</pages>
 </item>

 <item>
  <author>Playford, John</author> <!-- , publ. (author unknown) (London). -->
  <item_title>The English Dancing Master</item_title>
  <year>1651</year>
  <place>London</place>
  <annotations>
   <annotation author="Matt Larsen">
    Most SCA people are familiar with some English country dances,
    which are at least as popular as Arbeau's dances. This is due in part
    to the fact that there are organizations outside the SCA which have
    done considerable research into these dances. It should be remembered,
    however, that many of the dances which are commonly done by such groups
    come from later editions than Playford's original publication, or from
    other sources stretching all the way to the late eighteenth century. In
    any case, the dances which are described by Playford in his 1651
    edition are relatively easy, and are mostly combinations of a fairly
    small vocabulary of steps, so they are fairly easy to reconstruct.
    Along with Arbeau's Orchesography, this is the most accessible of the
    original sources, and can serve as a good starting point for aspiring
    dance masters. One disadvantage, the fact that the music given with the
    dances is only a single line, has been offset by the publication in
    recent years of a number of booklets of early Playford dance tunes with
    full arrangements, as well as a number of recordings for the dance
    master who doesn't have musicians at his or her command.
   </annotation>
   <annotation author="Lizbeth Langston">
    Note that step-unit descriptions in Playford are
    very brief. He does not indicate whether to start movements on the L or
    R foot and does not indicate how to do figures. This has led to several
    reconstruction traditions and performance practices. Playford is a challenge
    and fun to work with.
   </annotation>
   <annotation>
     http://www.contrib.andrew.cmu.edu/org/sca/src/contributed/pc2d@andrew.cmu.edu/dance/playford.html Online transcription
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>The English Dancing Master or, Plaine and easie Rules for
	the Dancing of Country Dances, with the Tune to each Dance</item_title>
  <edition>
   <editor>Hugh Mellor and Leslie Brinkwater</editor>
   <original>1651</original>
  </edition>
  <place>London</place>
  <publisher>Dance Books Ltd.</publisher>
  <year>1984</year>
  <extra>ISBN: 0-903102- 80-3</extra>
  <annotations>
   <annotation author="Dennis Sherman">
    A semi-facsimile of the first edition of Playford. Very minimal notes
    and discussion.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Pleydell, Lillian</author>
  <item_title>A Study of Some Sixteenth Century Dances</item_title>
  <place>Great Britain</place>
  <year>1985</year>
  <phys>96 p. : ill. ; 21 cm</phys>
 </item>

 <item>
  <author>Pleydell, Lillian</author>
  <item_title>Three More Fifteenth Century Italian Dances</item_title>
  <place>Nelson, England</place>
  <publisher>Nelson Historical Dance Society</publisher>
  <year>1987</year>
  <phys>43 p. : ill. ; 21 cm</phys>
 </item>

 <item>
  <author>Pontremoli, Alessandro</author>
  <additional_authors>Patrizia La Rocca</additional_authors>
  <item_title>Il Ballare Lombardo : Teoria E Prassi Coreutica Nella Festa
	Di Corte Del XV Secolo</item_title>
  <place>Milano</place>
  <publisher>Vita e pensiero</publisher>
  <year>1987</year>
  <phys>vi, 250 p., 16 p. of plates : ill. (some col.) ; 24 cm</phys>
 </item>

 <item>
  <author>Pourot, Paul</author>
  <item_title>La chanson, le masque, la danse; origines et histoire
	de la chanson, du carnaval, de la danse et des noels</item_title>
  <place>Paris</place>
  <publisher>E. Figuiere</publisher>
  <year>1927</year>
  <phys>183 p., 2 l. 19 cm</phys>
 </item>

 <item>
  <author>Praetorius, Michael</author>
  <item_title>Terpsichore</item_title>
  <place>New York</place>
  <publisher>LaNove Davenport, Associated Music Publishers</publisher>
  <year>1969</year>
  <annotations>
   <annotation author="Andrew Draskoy">
    Modern editions of nine of Praetorius' dances arranged in six parts.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Praetorius, Michael</author>
  <item_title>Terpsichore</item_title>
  <place>Wolfenbuttel</place>
  <year>1612</year>
  <annotations>
   <annotation author="Matt Larsen">
    Like Morley's work, this is primarily a work concerning music,
    not dance. However, it is music for dancing and includes some notes
    which are of interest.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Praetorius, Michael</author>
  <item_title>Syntagma Musicum</item_title>
  <place>Wolfenbuttel</place>
  <year>1619</year>
  <annotations>
   <annotation author="Matt Larsen">
    This volume is similar to Terpsichore, but treats musical theory more
    than specific musical pieces. Like the others, it is useful mostly as
    supporting evidence for steps and dancing practices, rather than
    as a source for specific choreographies.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Pugliese, Patri</author> <!-- (SCA pseud. Patri du Chat Gris). -->
  <item_title>Why Not Dolmetsch?</item_title>
  <coll_title>Dance Research Journal</coll_title>
  <item_type type="article" />
  <issue>13</issue>
  <year>1981</year>
 </item>

 <item>
  <author>Pugliese, Patri</author> <!-- (SCA pseud. Patri du Chat Gris). -->
  <item_title>Parsons Farewell: An Alternative Reconstruction</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>8</issue>
  <year>1991</year>
  <annotations>
   <annotation author="Justin du Coeur">
    A reconstruction of the dance from the first edition of Playford.
    Includes notes on points of difference from Dani Zweig's reconstruction.
    Music appeared in issue #7.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/recon/patriparson.html
    Online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Pugliese, Patri</author> <!-- (SCA pseud. Patri du Chat Gris). -->
  <item_title>A Transcription and Brief Commentary on Robert Copland's
	&quot;Manner of Dauncyng of Bace Dauces&quot;</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>15</issue>
  <year>1992</year>
  <pages>3-10</pages>
  <annotations>
   <annotation>
    Transcription of Copeland, with commentary.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Pugliese, Patri</author>
  <additional_authors>Joseph Casazza</additional_authors>
  <item_title>Practise For Dauncinge; Some Almans and a Pavan, England
	1570-1650, A Manual For Dance Instruction</item_title>
  <place>Cambridge, MA</place>
  <publisher>P.J. Pugliese &amp; J. Casazza</publisher>
  <year>1980</year>
  <annotations>
   <annotation author="Dennis Sherman">
    Redactions of selected dances from Cunningham, includes 4 part
    arrangements of the music for the dances.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Pujol, Fancesca, ed.</author>
  <additional_authors>Joan Amades, ed.</additional_authors>
  <item_title>Diccionari De La Danza. Vol.  I, Canconer Popular De Catalunya</item_title>
  <place>Barcelona</place>
  <year>1936</year>
  <annotations>
   <annotation>
    Includes facsimile of &quot;Manuscrit del Hospital (Tarrago).&quot;
    See entry of original for comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Putt, Alice Louella</author>
  <item_title>Masquers Unmasked : Masques, Dance-Masters and Performers
	At the Inns of Court, 1526-1687</item_title>
  <dissertation>Master's Thesis (University of California, Riverside)</dissertation>
  <item_type type="dissertation" />
  <year>1986</year>
 </item>

 <item>
  <author>Railing, Mary</author> <!-- (SCA pseud. Urraca Yriarte de Gamboa).-->
  <item_title>Leggiadria D'Amore: A Balletto For Three</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>11</issue>
  <year>1991</year>
  <pages>10-14</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A translation and reconstruction of this dance from Caroso.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Railing, Mary</author> <!-- (SCA pseud. Urraca Yriarte de Gamboa) -->
  <additional_authors>Ian Engle</additional_authors>
  <!-- (SCA pseud. Sion Andreas o Wynnedd -->
  <item_title>Videotape Reviews: Il Ballarino: The Art of Renaissance Dance</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>12</issue>
  <year>1992</year>
  <pages>3-4</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A pair of independent reviews of Julia Sutton's videotape of Caroso.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Randel, Don Michael</author>
  <additional_authors>Willi Apel</additional_authors>
  <item_title>The New Harvard Dictionary of Music</item_title>
  <place>Cambridge, MA</place>
  <publisher>Harvard University Press</publisher>
  <year>1986</year>
 </item>

 <item>
  <author>Reichart, Sarah</author>
  <item_title>Music For the Renaissance Allemande</item_title>
  <item_type type="article" />
  <coll_title>Dance Chronicle</coll_title>
  <volume>8</volume>
  <issue>3/4</issue>
  <year>1985</year>
  <pages>24</pages>
 </item>

 <item>
  <author>Rimmer, Joan</author>
  <item_title>Allemande, Balleto and Tanz</item_title>
  <item_type type="article" />
  <coll_title>Music and Letters</coll_title>
  <volume>
  </volume>
  <issue>70</issue>
  <year>1989</year>
  <pages>226</pages>
  <annotations>
   <annotation author="Ian Engle">
    Part book review, part how-I-would-have-done-this-better.
  </annotation>
  </annotations>
 </item>

 <item>
  <author>Robertson, Daniel</author>
  <item_title>Anyone For the Galliard?</item_title>
  <item_type type="article" />
  <coll_title>Early Music</coll_title>
  <issue>2</issue>
  <year>1974</year>
  <pages>83</pages>
 </item>

 <item>
  <author>Rochefort, Leah</author> <!-- (?) (SCA pseud. Leah di Estera). -->
  <item_title>Medieval Dance in Poetry: Simon Prudenzani's
	&quot;Il Solazzo&quot;</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>10</issue>
  <year>1991</year>
  <pages>1-4</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A look at a medieval poem that describes a 15th c. Italian Christmas
    party, focusing on the stanzas that concern dance..
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/about/pruden.html
    Online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Rocheforte, Fidelico de</author> <!-- (pseud. Paul Rochefort).-->
  <item_title>Fideleco's Dance Notes</item_title>
  <publisher>privately published</publisher>
  <annotations>
   <annotation author="Justin du Coeur">
    These two GBC-bound volumes collect simple notes on the dances
    performed on the tapes, &quot;The Companions of St. Cecelia; SCA
    Dance Musicke&quot;, vols 1 &amp; 2. Each book gives the melody line
    and a basic dance description for around 20 dances. Volume 1 is heavy
    on English Country Dance, volume 2 on Areau, but both contain a mix,
    including some earlier dances and some SCA inventions. Sources are
    listed, as well as some musical notes (including lyrics to tunes, when
    known); this is basically the extent of the background material. A
    convenient collection of cheat sheets, particularly for SCA use, and
    especially with combined with the tapes (which are generally pleasant
    to listen to, and danceable).
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Rooley, Anthony</author>
  <item_title>Dance and Dance Music of the Sixteenth Century</item_title>
  <item_type type="article" />
  <coll_title>Early Music</coll_title>
  <issue>2</issue>
  <year>1974</year>
  <pages>79</pages>
 </item>

 <item>
  <author>Rossi, Vittorio, ed.</author>
  <item_title>Un Ballo a Firenze Nel 1459</item_title>
  <place>Milan</place>
  <publisher>Istituto Italiano d'Arti Grafiche</publisher>
  <year>1885</year>
 </item>

 <item>
  <author>Rubin, Dorothy</author>
  <item_title>English Measures and Country Dances: A Comparison</item_title>
  <coll_title>Proceedings of the Eighth annual conference of the Society
	 of Dance History Scholars</coll_title>
  <item_type type="article" />
 </item>

 <item>
  <author>Sabol, Andrew J</author>
  <item_title>New Documents on Shirley's Masque &quot;The Triumph of Peace&quot;</item_title>
  <item_type type="article" />
  <coll_title>Music and Letters</coll_title>
  <issue>47</issue>
  <year>1966</year>
  <pages>10</pages>
  <annotations>
   <annotation author="Ian Engle">
    Intriguing notes of the best documented of all masques.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Sachs, Curt</author>
  <item_title>World History of Dance</item_title>
  <edition>
   <editor>Bessie Schonberg, trans.</editor>
   <reprint />
   <original>1937</original>
  </edition>
  <place>New York</place>
  <publisher>W. W. Norton and Company, Inc.</publisher>
  <year>1963</year>
 </item>

 <item>
  <author>Sachs, Curt</author>
  <item_title>World History of Dance</item_title>
  <edition>
   <editor>Bessie Schonberg, trans.</editor>
  </edition>
  <place>New York</place>
  <year>1937</year>
  <publisher>Bonanza Books</publisher>
  <annotations>
   <annotation author="Andrew Draskoy">
    Includes transcription of &quot;Le ballet de la royne de Cessile.&quot;
   </annotation>
   <annotation author="Justin du Coeur">
    This is essentially what the title implies: a sweeping overview of all
    forms of dance (including some speculations about dance in the stone age!)
    It contains a fairly substantial section on the Medieval and Renaissance
    periods; roughly pages 248-391 are relevant to these periods, before it
    moves thoroughly into the Baroque.

    The book is rather interesting, and tries to view everything from a
    very broad perspective. However, it should be noted that any book written
    in 1937 is inevitably going to have somewhat dated scholarship. The book
    concludes with a large selection of plates, all black and white, several
    of which are relevant to the Renaissance.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Schlundt, Christena L</author>
  <item_title>The Still Point of Perfection</item_title>
  <coll_title>Proceedings of the Fifth annual conference of the Society
	of Dance History Scholars</coll_title>
  <coll_editor>Christena L. Schlundt</coll_editor>
  <item_type type="article" />
  <pages>103-110</pages>
  <place>Cambridge, MA</place>
  <publisher>Dance History Scholars</publisher>
  <year>1982</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    discussion of the process of being a dance historian.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Schwaandt, Erich</author>
  <item_title>Translating Caroso</item_title>
  <item_type type="article" />
  <coll_title>Dance Chronicle</coll_title>
  <volume>10</volume>
  <issue>2</issue>
  <year>1987</year>
  <pages>230</pages>
  <annotations>
   <annotation author="Ian Engle">
    Review of the Sutton translation
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Schwartz, Anne</author>
  <item_title>The Polish Folk Mazurka</item_title>
  <item_type type="article" />
  <coll_title>Studia Musicologica</coll_title>
  <issue>17</issue>
  <year>1975</year>
  <pages>249</pages>
  <annotations>
   <annotation author="Ian Engle">
    Maintains that the mazurka dates to the 16th century; does
    not support the contention
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Schwartz, Judith L</author>
  <additional_authors>Christena L. Schlundt</additional_authors>
  <item_title>French Court Dance and Dance Music : A Guide to Primary
	Source Writings, 1643-1789</item_title>
  <coll_title>Dance and Music Series</coll_title>
  <issue>1</issue>
  <place>Stuyvesant, N.Y.</place>
  <publisher>Pendragon Press</publisher>
  <year>1987</year>
  <phys>xvii, 386 p. : ill. ; 24 cm</phys>
 </item>

 <item>
  <author>Semmens, Richard T</author>
  <item_title>Terpsichore Reborn: The French Noble Style and Drama</item_title>
  <coll_title>Proceedings of the Tenth annual conference of the Society
	of Dance History Scholars</coll_title>
  <item_type type="article" />
  <pages>8-17</pages>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1987</year>
 </item>

 <item>
  <author>Sharp, Cecil J</author>
  <item_title>The Country Dance Book</item_title>
  <publisher>Novello</publisher>
  <year>1909</year>
  <annotations>
   <annotation author="John Forrest">
    Parts 2, 3, 4 &amp; 6 are made up of Sharp's reconstructions of notations
    culled from a variety of editions of Playford. Many decisions that he made
    have, in the light of more recent scholarship, been challenged, but it was
    this collection that began the revival of interest in Playford dances.
    Consequently, his reconstructions are still treated as authoritative
    by many dancers despite their flaws. The set is accompanied by a series
    of piano scores from Sharp's pen.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Sharp, Cecil J</author>
  <additional_authors>Herbert C. Macilwaine</additional_authors>
  <item_title>The Morris Book With a Description of Dances As Performed
	 By the Morris-Men of England</item_title>
  <edition>
   <!-- Second ed. -->
   <original>1912</original>
   <reprint />
  </edition>
  <volume>2</volume>
  <year>1974</year>
  <place>Yorkshire, England</place>
  <publisher>EP Publishing, Limited</publisher>
  <extra>ISBN: 0-85409-965-4</extra>
  <annotations>
   <annotation author="John Forrest">
    The first systematic notation of English morris dances based on
    fieldwork with traditional dancers primarily in the South Midlands at
    the beginning of the twentieth century. Sharp put forward the notion
    that these dances represented a continuous tradition from the Middle
    Ages and beyond, but more recent analysis of the primary data indicates
    that morris dances have undergone radical changes throughout their
    documented history (starting in 1458). Thus the dances Sharp collected
    are a (reasonably) reliable index of nineteenth century traditions
    only.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Sherman, Dennis</author> <!-- (SCA pseud. Robyyan Torr d'Elandris). -->
  <item_title>Arbeau's Horse's Bransle in the SCA</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>13</issue>
  <year>1992</year>
  <pages>1-4</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A reconstruction of the dance from Arbeau, discussing how it is usually
    done in the Society, with some suggestions for improvement. Includes
    transcription of the melody line.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Singman, Jeffrey L</author> <!-- SCA pseud. Geoffrey Cade -->
  <item_title>A Bibliography</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>6</issue>
  <year>1990</year>
  <annotations>
   <annotation author="Justin du Coeur">
    A basic annotated bibliography of currently in-print sources, both primary
    and secondary, useful for the reconstruction of Renaissance Dance.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/about/biblio2.html
    Online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Singman, Jeffrey L</author> <!-- SCA pseud. Geoffrey Cade -->
  <item_title>Saltarello &quot;La Regina&quot;</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>7</issue>
  <year>1990</year>
  <annotations>
   <annotation author="Justin du Coeur">
    A reconstuction of a 14th-century saltarello, based on a period saltarello
    melody, knowledge of meaning of &quot;saltarello&quot; in the 15th century,
    and some iconographic evidence. Includes several illustrations.  Music
    appears in issue #8.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/recon/regina.html
    Online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Singman, Jeffrey L</author> <!-- SCA pseud. Geoffrey Cade -->
  <item_title>English Country Dancing: Pro and Contra</item_title>
  <item_type type="article" />
  <coll_title>The Letter of Dance</coll_title>
  <issue>10</issue>
  <year>1991</year>
  <pages>15-16</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A brief discussion on the origins of English Country, and its
    applicability to the SCA.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Slim, H. Colin</author>
  <item_title>Mary Magdalene, Musician and Dancer</item_title>
  <item_type type="article" />
  <coll_title>Early Music</coll_title>
  <issue>8</issue>
  <year>1980</year>
  <pages>460</pages>
 </item>

 <item>
  <author>Smith, A. William</author>
  <item_title>Belriguardo (Vecchio): A Critical Discussion</item_title>
  <coll_title>Proceedings of the Tenth annual conference of the Society
	of Dance History Scholars</coll_title>
  <item_type type="article" />
  <pages>86-105</pages>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1987</year>
 </item>

 <item>
  <author>Smith, A. William</author>
  <item_title>Dance in Early Sixteenth-Century Venice: The &quot;Mumaria:
	And Some of Its Choreographers&quot;</item_title>
  <coll_title>Proceedings of the Twelfth annual conference of the Society
	of Dance History Scholars</coll_title>
  <item_type type="article" />
  <pages>126-138</pages>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1989</year>
 </item>

 <item>
  <author>Smith, A. William</author>
  <item_title>References to Dance in Fifteenth Century Sacre Rappresentazione</item_title>
  <item_type type="article" />
  <coll_title>Dance Research Journal</coll_title>
  <volume>23</volume>
  <issue>1</issue>
  <year>1991</year>
  <pages>17</pages>
 </item>

 <item>
  <author>Smith, A. William</author>
  <item_title>Spanish Dance Contributions 500 Years Ago</item_title>
  <coll_title>Proceedings of the Fourteenth annual conference of the Society
	of Dance History Scholars</coll_title>
  <item_type type="article" />
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1991</year>
  <pages>136-144</pages>
 </item>

 <item>
  <author>Smith, A. William, trans. &amp; ed.</author>
  <item_title>Fifteenth-Century Dance and Music; The Complete Transcribed
	Treatises and Collections in the Domenico Piacenza Tradition</item_title>
  <extra>2 vols. ISBN: vol. 1: 0-945193-25-4, vol. 2: 0-945193-57-2</extra>
  <publisher>Pendragon Press</publisher>
  <year>1996</year>
 </item>

 <item>
  <author>Society of Dance History Scholars</author>
  <item_title>Proceedings, Dance History Scholars, Fifth Annual Conference
	: Harvard University, 13-15 February, 1982</item_title>
  <additional_authors>Christena L. Schlundt, ed.</additional_authors>
  <place>Cambridge, Mass.</place>
  <publisher>The Scholars</publisher>
  <year>1982</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Partial Contents:
    - Keller, Kate Van Winkle. Playford, Feuillet, and Apple II: New Techniques
of Indexing Music
    - Ingber, Judith Brin. Jewish Wedding Dances of Europe during the Middle
Ages and Renaissance
    -  Schlundt, Christena L. The Still Point of Perfection.
    - Hardy, Camille. Ballet Comique de La Reine: A Primer on Subtext and
	Symbol
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Society of Dance History Scholars</author>
  <item_title>Proceedings, Dance History Scholars, Sixth Annual Conference
	: Ohio State University, 1983</item_title>
  <place>Milwaukee, Wis.</place>
  <publisher>Society of Dance History Scholars</publisher>
  <year>1983</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Partial Contents:
    - Sparshott, Francis. The Missing Art of Dance
    - Brainard, Ingrid G. Modes, Manners, Movement: The Interaction of Dance
and Dress from the Late Middle Ages to the Renaissance.
    - Wagner, Ann. Dance as Virtue: An Analysis from the Sixteenth Century
Courtesy Literature.
    - Applegate, Joan S. English Cavalier Dance-Songs: Henry Lawes and Robert
Herrick.
    - Chadima, Helen Gower. The Use of Castanets in Baroque Dance.
    - Marsh, Carol. Fishing for Basses: Finding Musical Concordances for
English Country Dances.
    - Foster, Susan Leigh. On Dancing and the Dance: Two visions of Dance's
History.
    - Brainard, Ingrid. Court Dances of the 15th Century.
    - Daniels, Margaret. Passacaille d'Armide.
    - Feves, Angene and Hammond, Sandra Noll. La Bacchante: Alternate Performance
Styles

   </annotation>
  </annotations>
 </item>

 <item>
  <author>Society of Dance History Scholars</author>
  <item_title>Proceedings, Society of Dance History Scholars, Seventh Annual
	Conference : Goucher College, Towson, MD, 17-19 February 1984.</item_title>
  <additional_authors>Christena L. Schlundt, ed.</additional_authors>
  <place>Towson, MD</place>
  <publisher>The Scholars</publisher>
  <year>1984</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Partial Contents:

    - Wagner, Ann. Dance as Vice: A Continuing Analysis from the Sixteenth
Century English Courtesy Literature.
    - Dils, Ann. The Egg Dances.
    - Sutton, Julia. Triple Pavans: Clues to Some Mysteries in 16th-Century
Dance.

   </annotation>
  </annotations>
 </item>

 <item>
  <author>Society of Dance History Scholars</author>
  <item_title>The Myriad Faces of Dance : Proceedings of the Eighth Annual
	Conference, Society of Dance History Scholars, University of New
	Mexico, Department of Theatre Arts, Dance Division, Fine Arts Center,
	15-17 February 1985</item_title>
  <additional_authors>Christena L. Schlundt, ed.</additional_authors>
  <place>Riverside, CA</place>
  <publisher>the Society</publisher>
  <year>1985</year>
  <phys>ii leaves, 210 p. : ill. ; 28 cm</phys>
  <annotations>
   <annotation author="Lizbeth Langston">
    Partial Contents:

    - Pforsich, Janis. Folie D'Espagne: Theme and Variation in Baroque Dance.

    - Doob, Penelope B.R. The Auxerre Labyrinth Dance.
    - Merritt, Meredith. Dance Terms in Renaissance dictionaries.
    - Rubin, Dorothy. English Measures and Country Dances: A Comparison
    - Jones, Pamela and Ingrid Brainard. Comparative Reconstruction: &quot;Ardente Sole&quot; from Caroso's Il Ballarino


   </annotation>
  </annotations>
 </item>

 <item>
  <author>Society of Dance History Scholars</author>
  <item_title>Proceedings of the Ninth Annual Conference: City College,
	City University of New York, 1986</item_title>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1986</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Partial contents:

    - Franco, Mark. Geometric Dance in French Court Ballet.
    - Sparti, Barbara. Style and Performance in the Social Dances of the
Italian Renaissance: Ornamentation, Improvisation, Variation, and Virtuosity.

    - Feves, Angene. Caroso's Patronesses.
    - Woodruff, Dianne L. The Balet Comique in the Petit Bourbon: A Practical
View.
    - Chazin-Bennahum, Judith. The contribution of Jean- Jacques Rousseau
to Ballet.
    - Little, Meredith. Research Opportunities in French Court Dancing.
    - Astier, Regine. Monsieur Ballon, Dancing Master to Louis XV: A Biography.


   </annotation>
  </annotations>
 </item>

 <item>
  <author>Society of Dance History Scholars</author>
  <item_title>Proceedings of the Tenth Annual Conference: University of
	California, Irvine, 1987</item_title>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1987</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Partial Contents:

    - Semmens, Richard T. Terpsichore Reborn: The French Noble Style and
Drama.
    - Smith, A. William. Belriguardo (Vecchio): A Critical Discussion.

   </annotation>
  </annotations>
 </item>

 <item>
  <author>Society of Dance History Scholars</author>
  <item_title>Proceedings of the Eleventh Annual Conference, Society of
	Dance History Scholars, North Carolina School of Arts, February
	12-14, 1988</item_title>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1988</year>
  <phys>ii leaves, 269 p. : ill. ; 28 cm</phys>
 </item>

 <item>
  <author>Society of Dance History Scholars</author>
  <item_title>Proceedings of the Twelfth Annual Conference: Arizona
	State University, 1989</item_title>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1989</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Partial Contents:

    - Smith, A. William. Dance in Early Sixteenth-Century Venice: The &quot;Mumaria:
and Some of its Choreographers&quot;
    - Harris-Warrick, Rebecca. The Dancing Duchess of Burgundy: The Life
of a Dance Enthusiast at the Court of Louis XIV.

   </annotation>
  </annotations>
 </item>

 <item>
  <author>Society of Dance History Scholars</author>
  <item_title>Proceedings of the Fourteenth Annual Conference: Dance in
	Hispanic Cultures, New World School of the Arts, Miami Florida,
	8-10 February 1991</item_title>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1991</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Partial Contents:
	  - Phillips, Miriam S. A Shared Techinque/Shared Roots?
	 A Comparison of Kathak and Flamenco Dance History.
	  - Stark, Alan. What Steps did the Spaniards Take in the Dance?
	 A Survey of Four Centuries of Documentary Sources.
	  - Brooks, Lynn Matluck. Cosmic Imagery in the Religious Dances
	 of Seville's Golden Age.
	  - Smith, A. William. Spanish Dance Contributions 500 years ago.
	  - Russell, Craig H. Lully &amp; French Dance in Imperial Spain:
	 The Long Road from Versailles to Veracruz.
	  - Gingell, Jane. Dances of 17th Century Spain.
	  - Ingber, Judith Brin. Sephardic Dance: A Lecture Demonstration
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Society of Dance History Scholars</author>
  <item_title>Proceedings of the Fifteenth Annual Conference, American Dance
	 Abroad: Influence of the United States Experience, University of
	 California, Riverside, 14-15 February 1992</item_title>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1992</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Partial Contents:
	  - Jackson, Naomi. The Role of America in the Jacobean masque:
	 Performed Ethnography and the Exploration of Self-Transformation
	 in the English Renaissance.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Southern, Eileen</author>
  <item_title>Some Keyboard Basse Dances of the Fifteenth Century</item_title>
  <item_type type="article" />
  <coll_title>Acta Musicologica</coll_title>
  <issue>35</issue>
  <year>1963</year>
  <pages>114</pages>
 </item>

 <item>
  <author>Southern, Eileen</author>
  <item_title>A Prima Ballerina of the Fifteenth Century</item_title>
  <coll_title>Music and Context: Essays for John M. Ward</coll_title>
  <!-- , ed. A. D. Shapiro. -->
  <item_type type="article" />
  <place>Cambridge, MA</place>
  <publisher>Harvard University Press</publisher>
  <year>1985</year>
 </item>

 <item>
  <author>Sparshott, Francis</author>
  <item_title>The Missing Art of Dance</item_title>
  <coll_title>Proceedings of the Sixth annual conference of the Society
	 of Dance History Scholars, 1-16</coll_title>
  <item_type type="article" />
  <place>Milwaukee, WI</place>
  <publisher>Dance History Scholars</publisher>
  <year>1983</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Keynote address. Discusses the neglect of dance in aesthetics,
    especially its exclusion from Hegel's scheme of the fine arts
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Sparti, Barbara</author>
  <item_title>Music and Choreography in the Reconstruction of Fifteenth
	Century Balli: Another Look At Domenico's Verceppe</item_title>
  <item_type type="article" />
  <coll_title>Fifteenth Century Studies</coll_title>
  <volume>
  </volume>
  <issue>10</issue>
  <year>1984</year>
  <pages>177</pages>
  <annotations>
   <annotation author="Ian Engle">
    Intriguing! Looking for copyist's errors.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Sparti, Barbara</author>
  <item_title>Stile, Espressione E Senso Teatrale Nelle Danze Italiane
	Del '400</item_title>
  <item_type type="article" />
  <coll_title>La Danza Italiana</coll_title>
  <issue>3</issue>
  <year>1985</year>
  <pages>39-53</pages>
 </item>

 <item>
  <author>Sparti, Barbara</author>
  <item_title>The 15th-Century Balli Tunes: A New Look</item_title>
  <item_type type="article" />
  <coll_title>Early Music</coll_title>
  <issue>14</issue>
  <year>1986</year>
  <pages>146-157</pages>
 </item>

 <item>
  <author>Sparti, Barbara</author>
  <item_title>Style and Performance in the Social Dances of the Italian
	Renaissance: Ornamentation, Improvisation, Variation, and
	Virtuosity</item_title>
  <pages>31-52</pages>
  <item_type type="article" />
  <coll_title>Proceedings of the ninth annual conference of the Society
	of Dance History Scholars</coll_title>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1986</year>
 </item>

 <item>
  <item_title>Breaking Down Barriers in the Study of Renaissance and
	Baroque Dance</item_title>
  <item_type type="article" />
  <coll_title>Dance Chronicle</coll_title>
  <volume>19</volume>
  <issue>3</issue>
  <year>1996</year>
  <pages>255-276</pages>
 </item>

 <item>
  <author>Sparti, Barbara</author>
  <item_title>Would You Like to Dance this Frottola?  Choreographic
	Concordances in Two Early Sixteenth-Century Tuscan Sources</item_title>
  <coll_title>Musica Disciplina</coll_title>
  <item_type type="article" />
  <volume>50</volume>
  <year>1996</year>
  <pages>135-165</pages>
 </item>

 <item>
  <author>Sparti, Barbara</author>
  <item_title>Dance Not Only as Text: Getting the Full(er) Picture of
	Renaissance &amp; Baroque Italy (c. 1455-1630)</item_title>
  <coll_title>Proceedings of the 22nd annual conference of the Society
	of Dance History Scholars</coll_title>
  <item_type type="article" />
  <pages>195-205</pages>
  <year>1999</year>
 </item>

 <item>
  <author>Stark, Alan</author>
  <item_title>What Steps Did the Spaniards Take in the Dance? A Survey of
	Four Centuries of Documentary Sources</item_title>
  <coll_title>Proceedings of the Fourteenth annual conference of the Society
	of Dance History Scholars</coll_title>
  <item_type type="article" />
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1991</year>
  <pages>54-64</pages>
 </item>

 <item>
  <author>Stevens, Vivian</author>
  <additional_authors>Monica Cellio</additional_authors>
  <item_title>Joy and Jealousy : A Manual of 15th-Century Italian
	 Balli</item_title>
  <publisher>Real Soon Now Press</publisher>
  <year>1997</year>
 </item>

 <item>
  <author>Suppan, W</author>
  <item_title>A Collection of European Dances: Breslau 1555</item_title>
  <coll_title>Studia Musicologica</coll_title>
  <item_type type="article" />
  <issue>7</issue>
  <year>1965</year>
  <pages>165</pages>
 </item>

 <item>
  <author>Sutton, Julia</author>
  <item_title>Reconstruction of Sixteenth Century Dances</item_title>
  <coll_title>Dance History Research</coll_title>
  <issue>56</issue>
  <item_type type="article" />
 </item>

 <item>
  <author>Sutton, Julia</author>
  <item_title>Triple Pavans: Clues to Some Mysteries in 16th-Century
	Dance</item_title>
  <coll_title>Proceedings of the Seventh annual conference of the Society
	of Dance History Scholars</coll_title>
  <coll_editor>Christena L. Schlundt</coll_editor>
  <item_type type="article" />
  <pages>136-144</pages>
  <place>Towson, MD</place>
  <publisher>Dance History Scholars</publisher>
  <year>1984</year>
 </item>

 <item>
  <author>Sutton, Julia</author>
  <item_title>The Minuet: An Elegant Phoenix</item_title>
  <coll_title>Dance Chronicle</coll_title>
  <item_type type="article" />
  <issue>8</issue>
  <year>1985</year>
 </item>

 <item>
  <author>Sutton, Julia</author>
  <item_title>Triple Pavans: Clues to Some Mysteries in Sixteenth
	Century Dance</item_title>
  <coll_title>Early Music</coll_title>
  <item_type type="article" />
  <issue>14</issue>
  <year>1986</year>
  <pages>175</pages>
 </item>

 <item>
  <author>Sutton, Julia</author>
  <item_title>Il Ballarino: The Art of Renaissance Dance</item_title>
  <place>Pennington, NJ</place>
  <publisher>Dance Horizons Video</publisher>
  <year>1990</year>
  <phys>1 videocassette (33 min.) : sd., col. ; 1/2 in</phys>
  <annotations>
   <annotation>
    Reconstructions of dances by Marco Fabritio Caroso and Cesare Negri.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Sutton, Julia</author>
  <additional_authors>Johannes Holub</additional_authors>
  <item_title>Il Ballarino: 16th Century Step Vocabulary and Dances</item_title>
  <extra>Julia Sutton, Patricia Rader (dancer), Charles Perrier (dancer),
	Tom Zajac (recorder; flute; percussion), Grant Herreid (lute),
	Karen Hansen (violin) and Paul Shipper (plucked instruments)</extra>
  <place>Pennington, NJ</place>
  <publisher>Dance Horizons Video</publisher>
  <year>1991</year>
  <phys>1 videocassette (33 min.) : sd., col. ; 1/2 in </phys>
 </item>

 <item>
  <author>Symborski, Lynn</author>
  <item_title>Eastern Kingdom Dance Book</item_title>
  <publisher>Privately published</publisher>
  <year>1979</year>
  <annotations>
   <annotation author="Del (D.Elson)">
    A book listing common SCA dances of the period.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Thomas, Bernard</author>
  <additional_authors>Jane Gingell</additional_authors>
  <item_title>The Renaissance Dance Book; Dances From the Sixteenth
	and Early Seventeenth Centuries</item_title>
  <place>London</place>
  <publisher>London Pro Musica</publisher>
  <year>1987</year>
  <annotations>
   <annotation author="Dennis Sherman">
    Includes bibliographic notes on dances and on music, performance notes,
    discussion. Includes 4 and 5 part performing editions (both parts and
    score) of the music for all dances included, which are a sampling of
    many styles found in the Sixteenth and Seventeenth centuries.
   </annotation>
   <annotation author="Lizbeth Langston">
    Gingell's step-unit descriptions are clear and easy to work with. I find
    all her interpretations reasonable. There are some errors (as in the
    galliard description from Negri) and some figures reversed (as in
    &quot;Leggiadra Marina&quot;).
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Thomas, Emma Lewis</author>
  <item_title>Music and Dance in Boccaccio's Time: Part Two: Reconstruction
	of Danze and Balli</item_title>
  <coll_title>Dance Research Journal</coll_title>
  <item_type type="article" />
  <volume>10</volume>
  <issue>2</issue>
  <year>1978</year>
  <pages>23</pages>
 </item>

 <item>
  <author>Toscanini, Walter</author>
  <item_title>Notizie E Appunti Sui Maestri Di Ballo Ebrei Nel '400</item_title>
  <coll_title>Il Vasari</coll_title>
  <item_type type="article" />
  <issue>18</issue>
  <year>1960</year>
  <pages>62-71</pages>
 </item>

 <item>
  <author>Toulouze, Michel, publ.</author> <!-- (author unknown) -->
  <item_title>L'art Et Instruction De Bien Dancer</item_title>
  <place>Geneve</place>
  <publisher>Minkoff</publisher>
  <edition>
   <original>c. 1488-1496</original>
   <reprint />
  </edition>
  <year>1985</year>
 </item>

 <item>
  <author>Toulouze, Michel, publ.</author> <!-- (author unknown) -->
  <item_title>L'art Et Instruction De Bien Dancer</item_title>
  <place>Paris</place>
  <publisher>Michel Toulouze</publisher>
  <year>c. 1488-1496</year>
  <annotations>
   <annotation author="Matt Larsen">
    This work is considered to be the first printed work on dancing,
    with all earlier works being manuscripts, and so would have been
    available to a larger audience than any previous work. Like the
    Brussles Manuscript, this work includes a short discussion on
    steps and a list of 45 basse dances, with the music for their tenor
    lines. Some dances appear in Brussels or Moderne, as well as here. It
    should be noted that the discussion of dancing and in particular the
    descriptions of steps which appear here and in Brussles and Moderne
    are far from clear and concise, but must be considered carefully
    when attempting to interpret the steps. Given an interpretation of
    the steps, the actual dance choreographies are relatively unambiguous.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Toulouze, Michel, publ.</author> <!-- (author unknown) -->
  <additional_authors>A. E. Lequet, translator.; Richard Rastall, transcriber.</additional_authors>
  <item_title>L'art Et Instruction De Bien Dancer</item_title>
  <edition>
   <original>c. 1488-1496</original>
  </edition>
  <place>New York</place>
  <publisher>Dance Horizons</publisher>
  <year>1971</year>
  <annotations>
   <annotation author="Matt Larsen">
    This is a facsimile and translation of the Tolouze MS, with transcribed
    music. For the interested scholar who does not read French, this volume
    is valuable for the translation of the introductory discussion of steps,
    although the translation is not perfect.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Vorder-Bruegge, Andrew</author>
  <!-- (SCA pseud. Lord Isaac de Hugo). -->
  <item_title>Book Review: The Dancing Body in Renaissance Choreography,
	By Mark Franko</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>2</issue>
  <year>1989</year>
  <annotations>
   <annotation author="Justin du Coeur">
    A review of Franko's book, pointing out what the author feels to be
    flaws in Franko's presentation.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/about/dance-body.html
    Online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Vorder-Bruegge, Andrew</author>
  <item_title>Lady Ilyana's Galliard</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>4</issue>
  <year>1990</year>
  <annotations>
   <annotation author="Justin du Coeur">
    Details of a choreographed galliard sequence, written by Lord Isaac.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/recon/ilyanagall.html
    Online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Wagner, Ann Louise. Wagner, Ann</author>
  <item_title>The Significance of Dance in Sixteenth Century Courtesy
	Literature</item_title>
  <dissertation>dissertation (University of Minnesota)</dissertation>
  <item_type type="dissertation" />
  <publisher>UMI</publisher>
  <year>1983</year>
  <phys>v, 229 p. : ill</phys>
 </item>

 <item>
  <author>Wagner, Ann Louise. Wagner, Ann</author>
  <item_title>Dance As Virtue: An Analysis From the Sixteenth Century Courtesy
	Literature</item_title>
  <coll_title>Proceedings of the Sixth annual conference of the
	Society of Dance History Scholars</coll_title>
  <item_type type="article" />
  <pages>37-47</pages>
  <place>Milwaukee, WI</place>
  <publisher>Dance History Scholars</publisher>
  <year>1983</year>
 </item>

 <item>
  <author>Wagner, Ann Louise. Wagner, Ann</author>
  <item_title>Dance As Vice: A Continuing Analysis From the Sixteenth Century
	English Courtesy Literature</item_title>
  <coll_title>Proceedings of the Seventh annual conference of the Society
	of Dance History Scholars</coll_title>
  <coll_editor>Christena L. Schlundt</coll_editor>
  <item_type type="article" />
  <pages>110-118</pages>
  <place>Towson, MD</place>
  <publisher>Dance History Scholars</publisher>
  <year>1984</year>
 </item>

 <item>
  <author>Waks, Mark</author> <!-- (SCA pseud. Justin du Coeur). -->
  <item_title>The Tourdion: An Introduction</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>1</issue>
  <year>1989</year>
  <annotations>
   <annotation author="Justin du Coeur">
    An introduction to the Tourdion and Galliard for The Compleat Beginner.
    Has a bit of discussion of Galliards in SCA practice, but should serve
    as a general basic introduction. Describes only the basic cinq pas
    (five-step) galliard.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/recon/galliardintro.html
    Online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Waks, Mark</author> <!-- (SCA pseud. Justin du Coeur). -->
  <item_title>The Galliard, Part 2: Some Variations</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>2</issue>
  <year>1989</year>
  <annotations>
   <annotation author="Justin du Coeur">
    Presents some slightly more complex variants of the Galliard, for the
    dancer who has the cinq pas down pat. Four variations are presented,
    mostly from Arbeau's Orchesography. (Some inaccuracies are present in
    the discussion of the grappo.)
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/recon/galliardintro.html
    online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Waks, Mark</author> <!-- (SCA pseud. Justin du Coeur). -->
  <item_title>The Galliard, Part III: Some Advanced Galliards</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>3</issue>
  <year>1989</year>
  <annotations>
   <annotation author="Justin du Coeur">
    The conclusion of the discussion of elementary Galliards, this
    section gets into some reasonably complex variations from Arbeau,
    such as the basic eleven step. Note that this article does not
    discuss the truly complex variations found in contemporary Italian
    sources, but restricts itself to variants that the average dancer
    could pick up with reasonable ease.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/recon/galliardintro.html
    online version.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Waks, Mark</author> <!-- (SCA pseud. Justin du Coeur). -->
  <item_title>Notes From a Dance Practice</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>5</issue>
  <year>1990</year>
  <annotations>
   <annotation author="Justin du Coeur">
    A discussion of how to run a Dance Practice. While focused upon issues
    relevant to the SCA dancemaster, much of what is discussed is relevant
    to folk dance as well.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/letters/dance_practice.html
    Online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Waks, Mark</author> <!-- (SCA pseud. Justin du Coeur). -->
  <item_title>Rudiments of Ballo Dimenio of the Late 20th Century</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>5</issue>
  <year>1990</year>
  <annotations>
   <annotation author="Justin du Coeur">
    A bit of humor: a reconstruction that an archaeologist of the future
    might come up with, if he stumbled upon a cache of &quot;Club MTV&quot;
    videotapes.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/parody/dimenio.html
    online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Waks, Mark</author> <!-- (SCA pseud. Justin du Coeur). -->
  <item_title>Ballo Del Fiore in Due; &quot;Dance of the Flower, For
	Two&quot;</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>6</issue>
  <year>1990</year>
  <annotations>
   <annotation author="Justin du Coeur">
    An in-depth reconstruction of a dance from Il Ballarino(1581). Includes
    translation of the original, and a simple arrangement of the music.
    Based on a reconstruction by Dr. Ingrid Brainard.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/recon/fiore.html
    online version
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Waks, Mark</author> <!-- (SCA pseud. Justin du Coeur). -->
  <item_title>Music/Book Review: &quot;English Country Dances&quot; By the
	Boxwood Consort</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>12</issue>
  <year>1992</year>
  <pages>4-5</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    A review of a cassette and accompanying reconstruction booklet, of various
    English Country dances ranging from Playford to today.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Walls, Peter</author>
  <item_title>Common Sixteenth Century Dance Forms</item_title>
  <coll_title>Early Music</coll_title>
  <item_type type="article" />
  <issue>2</issue>
  <year>1974</year>
  <pages>164</pages>
 </item>

 <item>
  <author>Ward, John M</author>
  <item_title>The Manner of Dauncynge</item_title>
  <coll_title>Early Music</coll_title>
  <item_type type="article" />
  <issue>4</issue>
  <year>1976</year>
  <pages>127</pages>
 </item>

 <item>
  <author>Ward, John M</author>
  <item_title>The English Measure</item_title>
  <coll_title>Early Music</coll_title>
  <item_type type="article" />
  <issue>14</issue>
  <year>1986</year>
  <pages>15</pages>
  <annotations>
   <annotation author="Ian Engle">
    What is this &quot;measure&quot; anyhow?
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Ward, John M</author>
  <item_title>Newly Devis'd Measures For Jacobean Masques</item_title>
  <coll_title>Acta Musicologica</coll_title>
  <item_type type="article" />
  <issue>60</issue>
  <year>1988</year>
  <pages>111</pages>
  <annotations>
   <annotation author="Ian Engle">
    Has some pages facsim'ed from the Stockholm ballet ms (early
    1600's). Very useful for masque work.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Webb, Barbara</author>
  <!-- (SCA pseud. Caitlin de Courcy). -->
  <item_title>Dance Games</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>13</issue>
  <year>1992</year>
  <pages>10-12</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    Some ideas for how to lighten up the dance floor a little;
    includes several SCA inventions and variations.
   </annotation>
  </annotations>

 </item>

 <item>
  <author>Webb, Barbara</author>
  <!-- (SCA pseud. Caitlin de Courcy). -->
  <item_title>More on Hyde Park</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>13</issue>
  <year>1992</year>
  <pages>14-16</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    Comments on Dani Zweig's reconstruction in issue 4, and presents an
    alternate reconstruction of this Playford dance.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Westlake, Nat Hubert John</author>
  <item_title>The Dance; Historic Illustrations of Dancing From 3300 B.C.
	To 1911 A.D.</item_title>
  <place>London</place>
  <publisher>J. Bale, Sons &amp; Danielsson, Ltd.</publisher>
  <year>1911</year>
  <phys>viii, 68 p. illus. (incl. ports.) 25 cm</phys>
  <annotations>
   <annotation>
	By an Antiquary
   </annotation>
  </annotations>
 </item>

 <item>
  <author>White, Eileen</author>
  <additional_authors>Kathy Mitchell</additional_authors>
  <item_title>The Maner of Dauncynge</item_title>
  <place>Leeds</place>
  <publisher>Arbeau Dancers</publisher>
  <year>1981</year>
  <phys>36 p. : ill., facsims., music ; 21 cm</phys>
 </item>

 <item>
  <author>Wilson, D. R</author>
  <item_title>The Steps Used in Court Dancing in Fifteenth-Century
	Italy</item_title>
  <publisher>privately published</publisher>
  <annotations>
   <annotation author="Del (D.Elson)">
    This is an exceedingly useful book for people studying 15th C dance.
    It lists, in sections ordered alphabetically, all of the steps
    contained in the 15th C Italian dances. For each step it gives
    a detailed reconstruction; including evidence extracted from the
    manuscripts, examples of use, and comparisons as to how the steps
    were referred to by the different authors (Domenico, Cornazano, and
    Guglielmo).
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Wilson, D. R</author>
  <item_title>Theory and Practice in 15th Century French Basse
	Dance</item_title>
  <coll_title>Historical Dance</coll_title>
  <item_type type="article" />
  <volume>2</volume>
  <issue>3</issue>
  <year>1983</year>
  <pages>1-2</pages>
  <annotations>
   <annotation author="Andrew Draskoy">
    Examines the structure of the dances in MS 9085 Bibliotheque Royale
    de Belgique in Brussels. The dances are compared to the theory that
    supposedly governs their structure according to the introductory
    treatise.  Various statistics are given, and the discrepancies of the
    treatise revealed.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Wilson, D. R</author>
  <item_title>The Development of French Basse Dance</item_title>
  <coll_title>Historical Dance</coll_title>
  <item_type type="article" />
  <volume>2</volume>
  <issue>4</issue>
  <year>1984-1985</year>
  <pages>4</pages>
  <annotations>
   <annotation author="Andrew Draskoy">
    Wilson analyzes the structure of 318 basse dancs in nine 15th and
    16th century sources. He shows the relationships between them,
    speculating on innovation and regional variation. The patterns
    underlying the dances are revealed, and used to demonstrate the
    gradual evolution of the dance form.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Wilson, D. R</author>
  <item_title>A Coranto With a Diagram: A Note on the Text</item_title>
  <coll_title>Historical Dance</coll_title>
  <item_type type="article" />
  <volume>2</volume>
  <issue>4</issue>
  <year>1984-1985</year>
  <pages>4</pages>
  <annotations>
   <annotation author="Andrew Draskoy">
    A followup to P. Frank's article, with a better transcription of
    &quot;the first corant&quot; and more notes on the terminology,
    one of which (on the &quot;chace&quot;) may have relevance to other
    dance forms.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Wilson, D. R</author>
  <item_title>Dancing in the Inns of Court</item_title>
  <coll_title>Historical Dance</coll_title>
  <item_type type="article" />
  <volume>2</volume>
  <issue>5</issue>
  <year>1987</year>
  <pages>3-16</pages>
  <annotations>
   <annotation author="Andrew Draskoy">
    Transcriptions of the Inns of Court manuscripts. More accurate than
    Cunningham, but doesn't include the coranto with a diagram, the country
    dances, or as much background information. Also see entry of original
    for more comments.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Wilson, D. R</author>
  <item_title>Domenico of Piacenza (Paris, Bibliothèque
	Nationale, MS Ital. 972)</item_title>
  <place>Cambridge</place>
  <publisher>The Early Dance Circle</publisher>
  <year>1988</year>
 </item>

 <item>
  <author>Wilson, D. R</author>
  <item_title>&quot;Só ben mi chi ha buon tempo&quot; by Cesare Negri</item_title>
  <coll_title>Historical Dance</coll_title>
  <item_type type="article" />
  <volume>3</volume>
  <issue>5</issue>
  <year>1998</year>
  <pages>13-16</pages>
 </item>

 <item>
  <author>Wilson, D. R</author>
  <item_title>&quot;Il bianco fiore&quot; by Cesare Negri</item_title>
  <coll_title>Historical Dance</coll_title>
  <item_type type="article" />
  <volume>2</volume>
  <issue>5</issue>
  <year>1986/7</year>
  <pages>33-35</pages>
 </item>

 <item>
  <author>Wood, Melusine</author>
  <item_title>Some Notes on the English Country Dance Before Playford</item_title>
  <coll_title>Journal of the English Folk Dance and Song Society</coll_title>
  <item_type type="article" />
  <volume>3</volume>
  <issue>2</issue>
  <year>December 1937</year>
 </item>

 <item>
  <author>Wood, Melusine</author>
  <item_title>Some Historical Dances, Twelfth to Nineteenth Century;
	Their Manner of Performance and Their Place in the Social Life
	of the Time</item_title>
  <place>London</place>
  <publisher>Imperial Society of Teachers of Dancing</publisher>
  <year>1952</year>
  <phys>184 p. plates. 26 cm</phys>
 </item>

 <item>
  <author>Wood, Melusine</author>
  <item_title>More Historical Dances, Comprising the Technical Part of the
	Elementary Syllabus and the Intermediate Syllabus, the Latter Section
	Including Such Dances As Appertain But Not Previously
	Described</item_title>
  <place>London</place>
  <publisher>Imperial Society of Teachers of Dancing</publisher>
  <year>1956</year>
  <phys>159 p. illus. 26 cm 3</phys>
 </item>

 <item>
  <author>Wood, Melusine</author>
  <item_title>Advanced Historical Dances</item_title>
  <place>London</place>
  <publisher>Imperial Society of Teachers of Dancing</publisher>
  <year>1960</year>
  <!-- Publisher to the Society: C. W. Beaumont -->
  <phys>189 p. plate, diagrs. 26 cm</phys>
 </item>

 <item>
  <author>Wood, Melusine</author>
  <item_title>Historical Dances (Twelfth to Nineteenth Century) :
	Their Manner of Performance and Their Place in the Social Life
	of the Time</item_title>
  <edition>
   <original>1952</original>
   <reprint />
  </edition>
  <place>London</place>
  <publisher>Dance Books</publisher>
  <year>1982</year>
  <phys>184 p., 8 p. of plates : music ; 22 cm</phys>
 </item>

 <item>
  <author>Woodruff, Dianne L</author>
  <item_title>The Balet Comique in the Petit Bourbon: A Practical View</item_title>
  <coll_title>Proceedings of the ninth annual conference of the Society
	of Dance History Scholars</coll_title>
  <item_type type="article" />
  <pages>91-129</pages>
  <place>Riverside</place>
  <publisher>Dance History Scholars</publisher>
  <year>1986</year>
  <annotations>
   <annotation author="Lizbeth Langston">
    Examines the performance space and other similar rooms.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Zuccolo da Cologna</author>
  <item_title>La Pazzia Del Ballo</item_title>
  <place>Bologna</place>
  <edition>
   <original>1549</original>
   <reprint />
  </edition>
  <publisher>Forni Editore</publisher>
 </item>

 <item>
  <author>Zuccolo da Cologna</author>
  <item_title>La Pazzia Del Ballo</item_title>
  <place>Padova</place>
  <year>1549</year>
  <annotations>
   <annotation author="Justin du Coeur">
    This is a 62-page tract discussing dance. The Italian is, I'm
    afraid, beyond my limited skills -- it's rather more challenging
    than the usual limited-tense dance Italian than I can handle. My
    understanding is that this primarily inveighs against dance, and
    the dangers of dancing, but that should be considered hearsay until
    someone really reads through the thing. I would *love* a
    translation, in whole or in part, for the Letter of Dance; while it
    doesn't appear to contain any choreographic information, I would
    suspect that it can tell us a bit about the mileu of dance in the
    16th century.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Zweig, Dani</author> <!-- (SCA pseud. Dani of the Seven Wells). -->
  <item_title>Instructions For Hyde Park</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>4</issue>
  <year>1990</year>
  <annotations>
   <annotation author="Justin du Coeur">
    A reconstruction of the English Country Dance &quot;Hyde Park&quot;,
    from Playford(1651). Detailed instructions are provided, along
    with an illustration of the original instructions, and a melody line.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/recon/hydedani.html
    online version
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>Parsons Farewell</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>7</issue>
  <year>1990</year>
  <annotations>
   <annotation author="Justin du Coeur">
    A reconstruction of the dance from the first edition of Playford. Includes
    a facsimile of the original, and an arrangement of the music by Marshall
    Barron. An alternate reconstruction appears in issue #8.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/recon/daniparson.html
    online version
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>Rounds, Heys, and Bransles: The Origin of English
	Country Dance</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>8</issue>
  <annotations>
   <annotation author="Justin du Coeur">
     An overview of the existing information about the evolution of
     English Country Dance.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/about/ECDorigin.html
    online version
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>The Dark Horse (Playford, 1649)</item_title>
  <coll_title>The Letter of Dance</coll_title>
  <item_type type="article" />
  <issue>9</issue>
  <year>1991</year>
  <pages>13-15</pages>
  <annotations>
   <annotation author="Justin du Coeur">
    The annual April Fool's article; presents a very early Playford dance,
    with a melody line strikingly similar to Horse's Bransle. Includes
    &quot;facsimile&quot;.
   </annotation>
   <annotation>
    http://www.cs.cmu.edu/afs/cs/usr/mjc/www/lod/parody/darkhorse.html
    online version
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>Comments on John Forrest's &quot;Here We Come a
	Fossiling&quot;</item_title>
  <coll_title>Dance Research Journal</coll_title>
  <item_type type="article" />
  <volume>17</volume>
  <issue>1</issue>
  <year>1985</year>
  <pages>34</pages>
  <annotations>
   <annotation author="Ian Engle">
    Replies concerning Morris dance article.
   </annotation>
  </annotations>
 </item>

 <item>
  <author>Various</author>
  <item_title>Dancing in the Inns of Court</item_title>
  <place>London</place>
  <publisher>Jordan &amp; Sons, Ltd.</publisher>
  <year>1965</year>
  <edition>
   <editor>James P. Cunningham</editor>
  </edition>
  <annotations>
   <annotation author="Matt Larsen">
    Six manuscripts all originally relating to dancing at the London Inns
    of Court: Oxford, Bodleian Library (Rawl. Poet.108) (c. 1570). London,
    British Museum Library (Harley 367) (n.d.). Oxford, Bodleian Library
    (Douce 280) (c. 1606). Oxford, Bodleian Library (Rawl. D. 864) (c. 1630).
    London, Inner Temple Library (Misc. Vol. XXVII) (mid. 17th century).
    London, Royal College of Music (Ms. 1119) (mid. 17th century). All mss.
    have been transcribed by Cunningham.

    These manuscripts describe the dancing which was done during the early
    seventeenth century at the four London Inns of Court. Dancing at the
    Inns of Court consisted of a fixed program of dances, beginning with
    pavans and almains, and followed by galliards, corantos and branles.
    These manuscripts are probably notes for the dancers, to remind
    themselves of the steps and patterns of the dances, and as such can be
    difficult to understand, particularly for the more complicated dances.
    Of the two transcriptions, Wilson's is the better, having Cunningham to
    draw on. Wilson also points out a number of flaws in Cunningham's transcriptions,
    which are worth examining. Cunningham, on the other hand, gives more background
    on the Inns of Court and gives a great many quotes from accounts which
    describe the dancing, expanding on the text which is given in the manuscripts
    themselves.

    Also transcribed with commentary by D.R. Wilson, 1986/87.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>O che nuovo miracolo: Il Ballo del Sig. Emilio de' Cavalieri</item_title>
  <coll_title>C. Malvexxi [et al.], Intermedii et concerti</coll_title>
  <place>Venice</place>
  <year>1591</year>
  <extra>14 part-books</extra>
 </item>

 <item>
  <item_title>MS: Codex Magliabecchiana-Strozziano XIXm cod. 31
	(Il Papa MS)</item_title>
  <annotations>
   <annotation author="Matt Larsen">
    Il Papa Ms. New York, Public Library, Dance Collection (Cia Fornaroli
    Coll. *ZBD-26); Florence, Biblioteca Nazionale Centrale (Codex
    Magliabecchiana- Strozziano XIXm cod. 31). This is a relatively
    short manuscript, made up of some fourteen doublesided pages. It is written
    in a hand which is fairly difficult to make out, and contains no music
    for its dances. The first two pages are introductory in nature, and discuss
    dance in general. The remaining twelve pages contain a total of fifteen
    dance choreographies. Some of these choreographies are relatively long,
    while others are quite short, as short or shorter than the shortest offered
    by Caroso. Although this is a relatively minor source from this period,
    it is available in the US.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>MS: Coll. Salazar, Th. fol. 149v del T.N. 25
	(Reglas de dancar)</item_title>
  <item_type type="manuscript" />
  <annotations>
   <annotation author="Matt Larsen">
    Ms. in Madrid, Biblioteca del Real Academia. This source is a pair of
    pages. As it is only a couple of pages, I expect that it is only valuable
    when taken in conjunction with other, more extensive sources.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>MS: fonds fr. 5699 (formerly fonds fr. 10279) (Le ballet de la
	royne de Cessile)</item_title>
  <item_type type="manuscript" />
  <annotations>
   <annotation author="Matt Larsen">
    Flyleaf choreographies to a copy of Geste des nobles Francoys in Paris,
    Bibliotheque Nationale. Dances transcribed in Sachs, pp. 313-314. This
    document lists the dances which were performed at a court function in
    1445, and includes the choreographies for each dance. Seven dances are
    listed, but no music is given. The style of the dances is significantly
    different from the style of Brussels, Toulouze and Moderne, using steps
    which are not mentioned in any of them, as well as combinations of steps
    (such as three singles together) which are never used in the other
    manuals. This work is dated later than any of those three, and may be
    describing a dance which is more similar to the dance which Arbeau
    describes.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>MS: fonds notarial 3,3 (Cervera MS)</item_title>
  <item_type type="manuscript" />
  <year>c. 1496</year>
  <annotations>
   <annotation author="Matt Larsen">
    Cervera Ms. Untitled, undated (c. 1496) pair of paper sheets preserved
    in a notarial manual in Cervera, Archivo Historico. Facsimile in volume
    edited by Carreras, vol. I, p. vii; vol.II, p. 303. This source is two
    sheets of what appear to be choreographic notations for basse
    dances. It is of interest primarily because it uses a curious
    notation to set down the choreographies.  The style of the dances
    is more similar to the Burgundian dances of about the same period
    than it is to the Italian bassadanza and balli. The sheets do not
    include music, although some of the titles of the dances correspond
    to music which is found in other sources.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>MS: Manuscrit del Hospital (Tarrago)</item_title>
  <item_type type="manuscript" />
  <annotations>
   <annotation author="Matt Larsen">
    Flyleaf Ms. (in Catalan) in Barcelona, Biblioteca Centrale (formerly
    Hospital de la Santa Creu). Facsimile in Pujol and Amades.
    This source is a page which describes a number of sixteenth century
    dances in textual form, followed by a notational form for some
    dances, including some of the dances which are described in the
    text. There is writing on both sides of the page, although more on
    one side than on the other. Some of the text is fragmentary, since
    the page was used at some time as part of the binding of a book.
    The source is not of great use to the reconstructor, as there is no
    music, and no description of the steps (although one could assume
    steps similar to those described in other sixteenth century
    sources). A portion of this source is reproduced in the Diccionari
    de la Danza referenced above.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>MS: Mazzo 4, No. 14 (Role de chansons a danser du XVI
	siecle)</item_title>
  <item_type type="manuscript" />
  <year>1518</year>
  <annotations>
   <annotation author="Matt Larsen">
    Torino Ms. Untitled single sheet in Torino, Archivi Biscaretti.  Published
    by P. Meyer in Romania.  This sheet includes notation for 20 dances in
    the style of Brussels, Moderne and Toulouze, including some dances which
    are listed in those works. As with Moderne, no music is given; however,
    the article in Romania suggests some possible tunes for some of the
    choreographies.
   </annotation>
   <annotation author="Andrew Draskoy">
    Also known as the Stribaldi Roll.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>(Nuremburg MS)</item_title>
  <item_type type="manuscript" />
  <annotations>
   <annotation>
    See also Cochlaus and Meyer, Christine.
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>(Salisbury MS)</item_title>
  <item_type type="manuscript" />
  <year>1497</year>
  <annotations>
   <annotation author="Matt Larsen">
    Untitled, undated flyleaf choreographies in copy of Joh. de Janua.
    Catholicon (Venice: 1497). This source offers twenty six choreographies
    in the style of the French fifteenth century sources. No music is included.
    Some of the twenty six choreographies are identical, perhaps intended to
    be danced to different music, although with the same steps. Others are
    to be found in some of the French manuals of the same period.
   </annotation>
   <annotation>
    http://allserv.rug.ac.be/~vfack/ihdp/15c/salisbur.html Online version
    online version
   </annotation>
  </annotations>
 </item>

 <item>
  <item_title>(Stribaldi Roll)</item_title>
  <item_type type="manuscript" />
  <annotations>
   <annotation>
    See MS: Mazzo 4, No. 14
   </annotation>
  </annotations>
 </item>

</bibliography>